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The work depicts Radha, Krishna, tree, flower, woman, and peacocks. It expresses their love through depiction of flowering trees, birds, and entwining clothing. [3] It is the only known Kota depiction of a scene from Hindu scripture. [4] The story was first told in Bhagavata Purana, although Radha was initially unidentified. "Radha, it was held ...
The work of art itself is in the public domain for the following reason: Public domain Public domain false false This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer .
The painting is the example of pahari painting used in Gardner's Art Through the Ages, which states: [3] In Krishna and Radha in a Pavilion, the lovers sit on a bed beneath a jeweled pavilion in a lush garden of ripe mangoes and flowering shrubs. Krishna gazes directly into Radha's face. Radha shyly averts her gaze.
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Radha-Krishna (IAST rādhā-kṛṣṇa, Sanskrit: राधा कृष्ण) is the combined form of the Hindu god Krishna with his chief consort and shakti Radha.They are regarded as the feminine as well as the masculine realities of God, [7] in several Krishnaite traditions of Vaishnavism.
Krishna painting feet of Radha, 1760 art form based on Braj's Rasikapriya text. Rasikapriya, a Braj text on poetics depicts Radha as the married consort of Krishna. It is a frequently illustrated text that deals with the Radha Krishna's romance and is written by one of the most prominent writers of the Riti kavya tradition, Kesavdas. Changes in ...
It depicts Krishna and Radha in a Bower, a scene from a dispersed Gita Govinda. Sahibdin ( fl. 17th century ) was an Indian miniature painter of the Mewar school of Rajasthan painting. He was one of the dominant painters of the era, and one of the few whose name is still known today (another being the painter Manohar Das ).
Krishna and Radha, attributed to Nihal Chand, a master of the Kishangarh miniature school trained at the imperial court in Delhi. [1]Apart from the architecture of Rajasthan, the most notable forms of the visual art of Rajasthan are architectural sculpture on Hindu and Jain temples in the medieval era, in painting illustrations to religious texts, beginning in the late medieval period, and ...