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Japanese swordsmithing is the labour-intensive bladesmithing process developed in Japan beginning in the sixth century for forging traditionally made bladed weapons [1] [2] including katana, wakizashi, tantō, yari, naginata, nagamaki, tachi, nodachi, ōdachi, kodachi, and ya.
The Hon'ami clan, which was an authority of appraisal of Japanese swords, rated Japanese swords from these artistic points of view. In addition, experts of modern Japanese swords judge when and by which swordsmith school the sword was made from these artistic points of view. [69] [70]
Due to the lack of historical evidence regarding the existence of the ninjatō, techniques for usage in a martial context are largely speculative. When used in film and stage, ninjatō are depicted as being shorter than a katana with a straight blade but they are utilized in a "nearly identical" manner as the katana. [19]
The Sankei Shimbun analyzed that this is because the Japanese government allowed swordsmiths to make only 24 Japanese swords per person per year to maintain the quality of Japanese swords. [30] [31] In Japan, genuine edged hand-made Japanese swords, whether antique or modern, are classified as art objects (and not weapons) and must have ...
The daishō (大小, daishō) —"large and small" [1] —is a Japanese term for a matched pair of traditionally made Japanese swords worn by the samurai class in feudal Japan. The etymology of the word daishō becomes apparent when the terms daitō , meaning long sword, and shōtō , meaning short sword, are used; dai tō + shō tō = daishō ...
A diagram of a katana and koshirae with components identified. Fuchi (縁): The fuchi is a hilt collar between the tsuka and the tsuba.; Habaki (鎺): The habaki is a wedge-shaped metal collar used to keep the sword from falling out of the saya and to support the fittings below; fitted at the ha-machi and mune-machi which precede the nakago.
Confiscated by the GHQ in the aftermath of World War II and subsequently lost, but re-discovered by chance in 1963 and returned to Terukuni shrine a year later by an American Dr. Walter Compton (owner of one of the greatest Japanese sword collection outside Japan, he returned Kunimune by himself and without seeking any compensation) ; curvature ...
Katana, showing the hamon as the outline of the yakiba. The nioi appears faintly as the bright line following the hamon; especially visible at the tip ( kissaki ). In swordsmithing , hamon ( 刃文 ) (from Japanese , literally "edge pattern") is a visible effect created on the blade by the hardening process.