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The Phantom of the Opera is a musical by Andrew Lloyd Webber, lyrics by Charles Hart, additional lyrics by Richard Stilgoe, and a libretto by Lloyd Webber and Stilgoe. Based on the novel by Gaston Leroux, it tells the tragic story of beautiful soprano Christine Daaé, who becomes the obsession of a mysterious and disfigured musical genius living in the subterranean labyrinth beneath the Paris ...
The proscenium measures about 30 feet 10 inches (9.40 m) high and 40 feet 10 inches (12.45 m) wide. [18] For the production of The Phantom of the Opera, some holes were cut into the proscenium arch, and catwalks were installed about 31 feet (9.4 m) above the stage. [38] A sounding board curves
Designing the staged show at the Royal Albert Hall was a daunting task, as the space (or lack thereof) was not an easy one to translate a proscenium show into. As a concert hall rather than a theatre, many of the show's elements (such as the chandelier, which, instead of falling, exploded) had to be toned down and simplified: the Royal Albert ...
Regular visits are made from prestigious companies such as Opera North, the Royal Shakespeare Company, Birmingham Royal Ballet, Northern Ballet Theatre, Matthew Bourne's New Adventures and the Royal National Theatre to complement spectacular West End musicals such as Grease, Miss Saigon, Whistle Down the Wind and The Phantom of the Opera. [3 ...
The third theater, Steinmetz Hall, a 1,700-seat multiform theater achieves an N1 sound rating–the highest possible acoustical rating. The acoustically remarkable Steinmetz Hall can transform into three different theater styles (symphony concert hall, proscenium hall, and banquet hall) to accommodate multiple events and performances.
The Andrew Lloyd Webber musical drama became the longest-running show in Broadway history in January 2006.
The bandshell's brushed stainless steel headdress frames the 120 ft (37 m) proscenium theatre; the main stage can accommodate a full orchestra and chorus of 150 members. The bandshell is connected to a trellis of interlocking crisscrossing steel pipes that support the innovative sound system, which mimics indoor concert hall acoustics. [25]
The proscenium arch covered the stage equipment above the stage that included a pair of girondels – large wheels holding many candles used to counteract the light from the footlights. Towards the latter part of the 18th century, doors were placed on either side of the stage, and a series of small spikes traced the edge of the stage apron to ...
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