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The Royal Museum of Fine Arts Antwerp (Dutch: Koninklijk Museum voor Schone Kunsten Antwerpen; KMSKA) is a museum in Antwerp, Belgium, founded in 1810, that houses a collection of paintings, sculptures and drawings from the fourteenth to the twentieth centuries.
Pages in category "Paintings in the Royal Museum of Fine Arts Antwerp" The following 68 pages are in this category, out of 68 total. This list may not reflect recent changes .
The museum was founded on 1 September 1801 by Napoleon [1] [2] and opened in 1803 as the Museum of Fine Arts of Brussels (French: Musée des Beaux-Arts de Bruxelles, Dutch: Museum voor Schone Kunsten van Brussel), occupying fourteen rooms of the former Palace of Charles of Lorraine, known as the "Old Court".
Royal Museum of Fine Arts Antwerp; Rubenshuis; W. Wide White Space Gallery This page was last edited on 13 January 2025, at 13:27 (UTC). Text is available under the ...
Royal Museum of Fine Arts (KMSKA) Museum of Modern Art Antwerp (MuHKA) Plantin-Moretus Museum; Museum aan de Stroom (MAS; Museum at the current) Volkskundemuseum; National Maritime Museum; Maagdenhuismuseum (Virgin House Museum) Middelheim Museum; ModeMuseum (Fashion Museum) Rubenshuis (Rubens House) Rockox House; Mayer van den Bergh Museum ...
It is held by the Royal Museum of Fine Arts Antwerp. [1] It shows Cleopatra VII reclining on a banquette and observing the effects of poisons on prisoners condemned to death, as described in Mark Antony's Plutarch's Lives. [2] It is considered a canonical work of 19th-century orientalism [3] and has been used as a model for plays and early ...
The Seven Sacraments Altarpiece is a fixed-wing triptych by the Early Netherlandish artist Rogier van der Weyden and his workshop. It was painted from 1445 to 1450, probably for a church in Poligny (Max J. Friedländer claimed that it was commissioned by the Bishop Jean Chevrot), [1] and is now in the Royal Museum of Fine Arts, Antwerp.
Royal Museum of Fine Arts Antwerp, Antwerp The Biddende Maria ( Mary in Prayer or Virgin at prayer ) is an oil-on-panel painting by the Flemish Renaissance artist Quentin Matsys . The painting was produced in the first decade of the 16th century, probably in 1500. [ 1 ]