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The term "portrait orientation" comes from visual art terminology and describes the dimensions used to capture a person's face and upper body in a picture; in such images, the height of the display area is greater than the width. The term "landscape orientation" also reflects visual art terminology, where pictures with more width than height ...
Landscape painting, also known as landscape art, is the depiction in painting of natural scenery such as mountains, valleys, rivers, trees, and forests, especially where the main subject is a wide view—with its elements arranged into a coherent composition. In other works, landscape backgrounds for figures can still form an important part of ...
Landscape-Portrait is an example of a digital public artwork which derives from a mixing of digital technologies and community focused public art practices. This practice although derived from Digital art or more accurately Digital Public arts, [18] but might be better understood as digital community art. As such it is at an early stage of ...
Thirty-six Views of Mount Fuji (Japanese: 富士三十六景, Hepburn: Fuji Sanjū-Rokkei) is the title of two series of woodblock prints by Japanese ukiyo-e artist Hiroshige, depicting Mount Fuji in differing seasons and weather conditions from a variety of different places and distances.
Self-portrait of Nicolas Régnier painting a portrait of Vincenzo Giustiniani, 1623–24, Fogg Art Museum. Portrait painting is a genre in painting, where the intent is to represent a specific human subject. The term 'portrait painting' can also describe the actual painted portrait.
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This shape created a "portrait" image, instead of the "landscape" orientation – these terms coming from the concepts of portrait and landscape in art – that is common today. The position of a framing mask before the Nipkow disk determines the scan line orientation.
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