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Image persistence, or image retention, is a phenomenon in LCD and plasma displays where unwanted visual information is shown which corresponds to a previous state of the display. It is the flat-panel equivalent of screen burn-in. Unlike screen burn-in, the effects are usually temporary and often not visible without close inspection.
Everything on the screen but the Apple logo turns white. [7] A Yellow Screen of Death occurs when an ASP.NET web app finds a problem and crashes. [8] [self-published source?] A kernel panic is the Unix equivalent of Microsoft's Blue Screen of Death. It is a routine called when the kernel detects irrecoverable errors in runtime correctness; in ...
Burn-in on a monitor, when severe as in this "please wait" message, is visible even when the monitor is switched off. Screen burn-in, image burn-in, ghost image, or shadow image, is a permanent discoloration of areas on an electronic visual display such as a cathode-ray tube (CRT) in an older computer monitor or television set.
Fullscreen (or full screen) refers to the 4:3 (1. 33:1) aspect ratio of early standard television screens and computer monitors. [1] Widescreen ratios started to become more popular in the 1990s and 2000s. Film originally created in the 4:3 aspect ratio does not need to be altered for full-screen release.
A typical video tearing artifact (simulated image) Screen tearing [1] is a visual artifact in video display where a display device shows information from multiple frames in a single screen draw. [2] The artifact occurs when the video feed to the device is not synchronized with the display's refresh rate.
[26] [27] [24] Windows 3.1, 95, and 98 supports customizing the color of the screen [28] whereas the color is hard-coded in the Windows NT family. [28] Windows 95, 98, and Me render their BSoDs in the 80×25 text mode with a 720×400 screen resolution. BSoDs in the Windows NT family initially used the 80×50 text mode with a 720×400 screen ...
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35 mm full-screen sound film image, nearly universal in films between 1932 and 1953. Officially adopted as the Academy ratio in 1932 by AMPAS. Rarely used in theatrical context nowadays, but occasionally used in other contexts. 1.43:1 IMAX format. IMAX productions use 70 mm wide film (the same as used for 70 mm feature films), but the film runs ...