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Much of the dramatic force of "Jamaica" derives from its gorgeous choruses. Each chorus builds tension by offsetting its lyrical meter from the movement of the music, so that the first part of each line is packed tightly and the second part is stretched out, as here, in the second chorus: Jamaica Sayyy yoou wi-lll Help-me-find-a Wayyy tooo fi-lll
Despite not being a concert staple or having an official live album release, "Jamaica Mistaica" is Buffett's most played song out of his 1990s repertoire, having made at least one appearance on each of his annual tours since its release in 1996, except for 2000, 2003 and 2016 tours. [10]
"Montego Bay" is a song co-written and performed by Bobby Bloom about the city in Jamaica of the same name. The song was a top ten hit for Bloom in the Fall of 1970 on both sides of the Atlantic. The song was a top ten hit for Bloom in the Fall of 1970 on both sides of the Atlantic.
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
Traditional sub-Saharan African harmony is a music theory of harmony in sub-Saharan African music based on the principles of homophonic parallelism (chords based around a leading melody that follow its rhythm and contour), homophonic polyphony (independent parts moving together), counter-melody (secondary melody) and ostinato-variation (variations based on a repeated theme).
A rock or pop guitarist or keyboardist might literally play the chords as indicated (e.g., the C major chord would be played by playing the notes C, E and G at the same time). In jazz, particularly for music from the 1940s bebop era or later, players typically have latitude to add in the sixth, seventh, and/or ninth of the chord. Jazz chord ...
Jamaica, Land We Love; K. Kingston Town (song) M. Montego Bay (song) My Jamaican Guy; N. No Woman, No Cry; O. On and On (Stephen Bishop song) S. Sun of Jamaica; U ...
By the 18th century, composers wrote airs for instrumental ensembles without a voice. These were song-like, lyrical pieces, often movements in a larger composition. Johann Sebastian Bach composed two of the best-known airs: the second movement of his Suite No. 3 in D major, BWV 1068, which August Wilhelmj arranged for violin and piano as Air on the G String; and the theme of his Goldberg ...