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Mainstream Criticism of suburbia dates back to the boom of suburban development in the 1950s and critiques a culture of aspirational homeownership. [1] With some academics critiquing 'modern suburbs' as early as the late 19th and early 20th centuries. [ 2 ]
The Crack in the Picture Window was one of several critiques of 1950s American suburbia published around this time, such as Auguste Spectorsky's The Exurbanites (1955) [5] and Richard Yates's fictional indictment of suburbia, Revolutionary Road (1961). [4]
Criticism of suburbia dates back to the boom of suburban development in the 1950s and critiques a culture of aspirational homeownership. [71] In the English-speaking world, this discourse is prominent in the United States and Australia being prevalent both in popular culture and academia.
The cookie-cutter neighborhood is an iconic American symbol of suburbia — the architecture is uniform, the lawns manicured, the colors drawn from the same palate. Facades of the houses may vary ...
Suburbia encompassed one-third of the nation's population by 1960. The growth of suburbs was not only a result of postwar prosperity, but innovations of the single-family housing market with low interest rates on 20 and 30 year mortgages, and low down payments, especially for veterans.
Tract housing in Cincinnati, Ohio. The concept of tract housing is occasionally mocked in North American popular culture as the basis of suburbia; notable examples are the songs "Little Boxes" by Malvina Reynolds, "Suburbia" by the Pet Shop Boys and "Subdivisions" by Rush.
His nicknames included "The King of Suburbia" [20] and "Inventor of the Suburb." At his height, when he was completing one suburban house every 11 minutes, [21] Levitt compared his successes to those of Henry Ford's automobile assembly line. [20] Time magazine recognized Levitt as one of the "100 Most Important People of the 20th Century" in ...
With a long, complicated history of greatness and turmoil, Detroit is a place where residents often take matters into their own hands.