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Examples of musical parody with completely serious intent include parody masses in the 16th century, and, in the 20th century, the use of folk tunes in popular song, and neo-classical works written for the concert hall, drawing on earlier styles. "Parody" in this serious sense continues to be a term in musicological use, existing alongside the ...
The quodlibet took on additional functions between the beginning and middle of the 19th century, when it became known as the potpourri and the musical switch.In these forms, the quodlibet would often feature anywhere from six to fifty or more consecutive "quotations"; the distinct incongruity between words and music served as a potent source of parody and entertainment. [4]
Download as PDF; Printable version; ... Parody musicians (173 P) Musical parodies (4 C, ... This page was last edited on 29 July 2023, ...
Jeremy Page and Andy Bauer: Alternative rock, alternative hip hop: They Might Be Giants: John Linnell [8] Alternative rock Those Darn Accordions: Various, currently Paul Rogers and Suzanne Garramone: Accordion-based rock/pop/comedy band Yann Tiersen: Self French, avant-garde: Tiger Lillies: Martyn Jacques: Brechtian and modern cabaret: Tosca ...
Silence! The Musical; Simpsoncalifragilisticexpiala(Annoyed Grunt)cious; South Park: Bigger, Longer & Uncut; Spamilton; Spank! The Fifty Shades Parody; Stars Over 45; Steamroller Blues; The Stoned Guest; Stutter Rap (No Sleep til Bedtime)
The original use of the term "parody" in music referred to re-use for wholly serious purposes of existing music. In popular music that sense of "parody" is still applicable to the use of folk music in the serious songs of such writers as Bob Dylan, but in general, "parody" in popular music refers to the humorous distortion of musical ideas or lyrics or general style of music.
Comedy music or musical comedy is a genre of music that is comical, comedic or humorous in nature. Its history can be traced back to the first century in ancient Greece and Rome, moving forward in time to the Medieval Period, Classical and Romantic eras, and the 20th century. Various forms of comedic musical theatre, including "musical play ...
The Descriptions automatiques inaugurated Satie's use of evocative fragments of popular music as an important element of his mature compositional style. A possible trigger for this development was the 1912 publication of his Pièces froides, [10] composed 15 years earlier, which would have reacquainted him with his first, isolated attempt at purely musical parody.