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African American cinema is loosely classified as films made by, for, or about Black Americans. [1] Historically, African American films have been made with African-American casts and marketed to African-American audiences. [1] The production team and director were sometimes also African American. [2]
I'm Back! Barefoot in the Park (TV series) Benson (TV series) The Bill Cosby Show.
0–9. 1970 black comedy films (12 P) 1971 black comedy films (15 P) 1972 black comedy films (10 P) 1973 black comedy films (5 P) 1974 black comedy films (9 P) 1975 black comedy films (9 P) 1976 black comedy films (4 P) 1977 black comedy films (5 P)
35. Life (1999). Cast: Eddie Murphy, Martin Lawrence, Ned Beatty, R. Lee Ermey Directed by: Ted Demme Two New Yorkers, Ray Gibson and Claude Banks, travel to Mississippi on a bootlegging mission ...
The Black Alley Cats (1973) The Black Angels (1970) [8] [9] Black Belt Jones (1974) [10] Black Belt Jones II – The Tattoo Connection (1978) Black Brigade, a.k.a. Carter's Army (1970) [9] The Black Bunch (1973) Black Caesar (1973) [11] Black Cobra (1987) The Black Connection, a.k.a. Run Nigger Run (1974) Black Devil Doll (2007) Black Devil ...
Blaxploitation is an ethnic subgenre of the exploitation film that emerged in the United States during the early 1970s, when the combined momentum of the civil rights movement, the black power movement, and the Black Panthers spurred African-American artists to reclaim the power of depiction of their ethnicity, and institutions like UCLA to provide financial assistance for African-American ...
Blazing Saddles. Blazing Saddles is a 1974 American satirical postmodernist [4][5] Western black comedy film directed by Mel Brooks, who co-wrote the screenplay with Andrew Bergman, Richard Pryor, Norman Steinberg and Alan Uger, based on a story treatment by Bergman. [6] The film stars Cleavon Little and Gene Wilder.
Since the premiere of NBC Saturday Night at the Movies in September 1961, post-1948 major studio feature films gained a dominant foothold in primetime American TV and, by the mid-1960s, feature films were being broadcast by all three networks in prime time on a nearly-daily basis. Although many of those films were in black-and-white, the ones ...