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Op. 133, Gesänge der Frühe (Songs of Dawn) (1853) WoO 20, Eight Polonaises (piano 4-hands) (1828) WoO 24, Variations in E-flat on an Original Theme (Geistervariationen) (1854) WoO 31, Studies in the Form of Free Variations on a Theme by Beethoven (1831–32) Posth., Canon für Alexis
This is a list of musical compositions or pieces of music that have unusual time signatures. "Unusual" is here defined to be any time signature other than simple time signatures with top numerals of 2, 3, or 4 and bottom numerals of 2, 4, or 8, and compound time signatures with top numerals of 6, 9, or 12 and bottom numerals 4, 8, or 16.
The following is a list of compositions by Robert Schumann for piano solo and for pedal piano solo. [note 1] Schumann was a pianist himself and wrote over fifty works for the piano, numbering hundreds of constituent pieces and movements. Because his first 26 published works were all written for solo piano, the first ten years of Schumann's ...
No. 1 D 541, Song "Memnon" ['Den Tag hindurch nur einmal mag ich sprechen'] for voice and piano (1817). Lyrics by Johann Mayrhofer. No. 3 D 504, Song "Am Grabe Anselmos" ['Daß ich dich verloren habe'] for voice and piano (1816, 1st version). Lyrics by Claudius.
Two Choruses ("The House on the Hill," "An Immortality") for chorus (1925) Piano Concerto for piano and orchestra (1926) Two Pieces for violin and piano (1926) Sentimental Melody for piano (1926) Four Piano Blues for piano (1926–48) Poet's Song for voice and piano (1927) Vocalise No.1 for voice (1928) Symphony No.1 for orchestra (1928)
Swiss Miss, (1926) arrangement of a song from Lady, Be Good. Machinery Gone Mad, (1927) unpublished. Blue Monday, (1927) a piano suite based on Gershwin's one-act opera of the same name. Merry Andrew, (1928) arrangement of a dance piece from Rosalie. Three-Note Waltz, (1931) Also known as Melody #36.