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The Protestant Reformation was a religious movement that occurred in Western Europe during the 16th century that resulted in a divide in Christianity between Roman Catholics and Protestants. This movement "created a North-South split in Europe, where generally Northern countries became Protestant, while Southern countries remained Catholic."
As a result of the Counter-Reformation, Rubens' paintings focused strongly on Catholic doctrine. [4] The paintings contained a lot of dynamic movement, barely visible outlines, and variety of tones. [1] The theme of miracles is a key component to the altarpiece. [4]
The painting expresses the basic tenets of the Counter Reformation through the figures of the Virgin and saints. In the upper niche of the retable is a marble statue depicting the Virgin as the Mater Dolorosa whose heart is pierced by a sword, which was likely sculpted by Lucas Faydherbe, a pupil of Rubens.
The Counter-Reformation (Latin: Contrareformatio), also sometimes called the Catholic Revival, [ 1 ] was the period of Catholic resurgence that was initiated in response to, and as an alternative to, the Protestant Reformations at the time. It is frequently dated to have begun with the Council of Trent (1545–1563) and to end with the ...
The painting emphasis the aspect of Counter Reformation Catholicism. In the Co-redemptrix doctrine, the Virgin is a crucial figure. In the Co-redemptrix doctrine, the Virgin is a crucial figure. She shares the work of Redemption with her Son and participates in the divine task of saving humanity. [ 5 ]
The Conversion of Saul. Mary and Christ. The Last Judgment (Italian: Il Giudizio Universale) [1] is a fresco by the Italian Renaissance painter Michelangelo covering the whole altar wall of the Sistine Chapel in Vatican City. It is a depiction of the Second Coming of Christ and the final and eternal judgment by God of all humanity.
Location. Gallerie dell'Accademia, Venice. The Feast in the House of Levi or Christ in the House of Levi is a 1573 oil painting by Italian painter Paolo Veronese and one of the largest canvases of the 16th century, measuring 555 cm × 1,309 cm (18.21 ft × 42.95 ft). [1] It is now in the Gallerie dell'Accademia, in Venice.
480 cm × 360 cm (190 in × 140 in) Location. Iglesia de Santo Tomé, Toledo. The Burial of the Count of Orgaz (Spanish: El Entierro del Conde de Orgaz) is a 1586 painting by El Greco, a prominent Renaissance painter, sculptor, and architect of Greek origin. Widely considered among his finest works, it illustrates a popular local legend of his ...