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Established as a French state-controlled entity in 1995, it is the only state theatre in France to have its own permanent troupe of actors. The company's primary venue is the Salle Richelieu , which is a part of the Palais-Royal complex and located at 2, Rue de Richelieu on Place André-Malraux in the 1st arrondissement of Paris .
In 1983 the French Minister of Culture, Jack Lang, had the theatre rebuilt. As a result, there are now two auditoriums—a large room that seats 750 people, and a small room that seats 200. There is also a restaurant, a bar, and a spacious lobby. The theatre is the work of architects Valentine Fabre and John Perrottet, assisted by Alberto Cattani.
The Théâtre Rive Gauche (French pronunciation: [teɑtʁ ʁiv ɡoʃ]) is a theatre in Paris in France located at 6, rue de la Gaîté in the 14th arrondissement of Paris. It is owned by the Edgar Entertainment Society, which also owns the Edgar Café and the Edgar Theatre located at 58 Edgar-Quinet Boulevard in the same borough.
French theatre in the 16th-century followed the same patterns of evolution as the other literary genres of the period. For the first decades of the century, public theatre remained largely tied to its long medieval heritage of mystery plays, morality plays, farces, and soties, although the miracle play was no longer in vogue. Public ...
The theatre itself, which was originally a cinema, was named in the honour of Edward VII, as he was nicknamed the "most Parisian of all Kings", appreciative of French culture. In the early to mid 1900s, under the direction of Sacha Guitry, the theatre became a symbol of Anglo-French friendship, where French people could discover and enjoy ...
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The Théâtre de la Huchette (French pronunciation: [teɑtʁ də la yʃɛt]) is a theatre in Paris.. This small theatre in Paris' Left Bank, located at 23 rue de la Huchette in the 5th arrondissement, is known for playing Eugène Ionesco's absurdist double-bill of The Lesson and The Bald Soprano in permanent repertory since 1957, as Spectacle Ionesco.
The theatre is built of reinforced concrete and features rectangular forms, straight lines, and decoration attached to the outside on plaques of marble and stucco, which was a radical departure from the Art Nouveau style, [5] [6] [7] and, at the time, shockingly plain in appearance.