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The Harpsichord Concerto in D minor, BWV 1052, is a concerto for harpsichord and Baroque string orchestra by Johann Sebastian Bach. In three movements, marked Allegro , Adagio and Allegro , it is the first of Bach's harpsichord concertos , BWV 1052–1065.
Two other concertos include solo harpsichord parts: the concerto BWV 1044, which has solo parts for harpsichord, violin and flute, and Brandenburg Concerto No. 5 in D major, with the same scoring. In addition, there is a nine-bar concerto fragment for harpsichord (BWV 1059) which adds an oboe to the strings and continuo.
The concerto BWV 1057 for harpsichord and two flutes or recorders also has an extant original: the 4th Brandenburg Concerto, BWV 1049. The concerto for two unaccompanied harpsichords BWV 1061a was modified slightly by adding strings in the first and last movements to produce BWV 1061.
Johann Christian Bach - 6 Concertos for Harpsichord, Op. 1; 5 Concertos for Harpsichord; Concerto for Harpsichord in F minor; 6 Concertos for Keyboard, Op. 7; 6 Concertos for Keyboard, Op. 13 Wolfgang Amadeus Mozart - Harpsichord concertos Nos 1–4 (KV. 37, 39, 40 and 41), arrangements of sonata movements by other composers.
BWV 1052.1, formerly BWV 1052a – Concerto for harpsichord and strings in D minor [17] BWV 1052.2, formerly BWV 1052 – Concerto for harpsichord and strings in D minor (revised version) [18] BWV 1053 – Concerto for harpsichord and strings in E major [19]
Apart from his orchestral keyboard concertos and his solo organ concertos, Johann Sebastian Bach composed keyboard concertos for unaccompanied harpsichord: . Most of his Weimar concerto transcriptions, over twenty arrangements of Italian and Italianate orchestral concertos which he produced around 1713–1714 when he was employed in Weimar, were written for solo harpsichord (BWV 592a and 972 ...
Harpsichord concertos: BWV 1052 for harpsichord and strings in D minor, presumed to have been transcribed from a lost violin concerto previously written by the composer himself, used again in the Sinfonia and opening chorus of cantata Wir müssen durch viel Trübsal, BWV 146 and the Sinfonia of cantata BWV 188
Concertos for One and Two Harpsichords, BWV 1052–1062 (w/ Friederike Bretschneider/Amati Orchestra/Erich Fiala, cond.) Italian Concerto, BWV 971; French Overture, BWV 831; Four Duets, BWV 802–805; Capriccio in B-flat, BWV 992 (recorded Philips, 1975)