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The Jamharat Ash'ar al-Arab claims that two of the most competent ancient authorities on Arabic poetry, al-Mufaddal (d. c. 790) and Abu ʿUbaidah (d. 824 CE), had already assigned to the "Seven" (i.e. "the seven Mu'allaqat") a poem each of al-Nabigha and al-A'sha in place of those of 'Antara and Harith.
Poetry analysis was also employed in other forms of medieval Arabic poetry from the 9th century, notably, for the first time, by the Kufan grammarian Tha'lab (d. 904) in his collection of terms with examples Qawa'id al-shi'r (The Foundations of Poetry), [30] by Qudama ibn Ja'far in the Naqd al-shi'r (Poetic Criticism), by al-Jahiz in the al ...
Abū al-Ṭayyib Aḥmad ibn al-Ḥusayn al-Mutanabbī al-Kindī [a] (c. 915 – 965 AD), commonly known as Al-Mutanabbi (Arabic: المتنبّي), was a famous Abbasid-era Arabian poet at the court of the Hamdanid emir Sayf al-Dawla in Aleppo, and for whom he composed 300 folios of poetry.
Ta'abbata Sharran's "Qasida Qafiyya" [a] is the opening poem of the Mufaddaliyat, an important collection of early Arabic poetry. [12] According to the Italian orientalist Francesco Gabrieli, the Qafiyya may not have been written as a single poem, but might instead be a collection of Ta'abbata Sharran's verses compiled by later editors. [5]
The Prince-Poet Imru' al-Qais, of the tribe of Kinda, is the first major Arabic literary figure. Verses from his Mu'allaqah (Hanging Poems), one of seven poems prized above all others by pre-Islamic Arabs, are still in the 20th century the most famous--and possibly the most cited--lines in all of Arabic literature.
Ḥamāsah (from Arabic حماسة valour) is a well-known [1] ten-book anthology of pre-Islamic Arabic poetry, compiled in the 9th century by Abu Tammam. Along with the Asma'iyyat, Mufaddaliyat, Jamharat Ash'ar al-Arab, and Mu'allaqat, Hamasah is considered one of the primary sources of early Arabic poetry. [2]
Arabic literature (Arabic: الأدب العربي / ALA-LC: al-Adab al-‘Arabī) is the writing, both as prose and poetry, produced by writers in the Arabic language.The Arabic word used for literature is Adab, which comes from a meaning of etiquette, and which implies politeness, culture and enrichment.
Raymond K. Farrin identifies a ring composition in the poem and divides the poem into five discrete sections: A – B – C – B¹ – A¹. [2] According to Farrin: Section A introduces the idea of the poet's separation from his beloved, Wallāda, and culminates in a mood of hopelessness and resignation. Morning is associated with this somber ...