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Graphic design is a profession, [2] academic discipline [3][4][5] and applied art whose activity consists in projecting visual communications intended to transmit specific messages to social groups, with specific objectives. [6] Graphic design is an interdisciplinary branch of design [1] and of the fine arts.
Royal Designer for Industry, 2005. Website. www.richardhollis.com. Richard Hollis Hon. FRSL (born 1934) is a British graphic designer. He has taught at various art schools, written books, and worked as a printer, as a magazine editor and as a print-production manager. Hollis was elected as an Honorary Fellow of the Royal Society of Literature ...
It has been widely acknowledged as perhaps the definitive graphic design magazine of the twentieth century. The idea for the publication came from art director Frank Zachary. He wanted to put out a magazine that focused solely on art and design, but was at the same time an outstanding example of design itself. Brodovitch was intrigued by the ...
International Typographic Style. A 1959 poster for the Gewerbemuseum Basel. The International Typographic Style is a systemic approach to graphic design that emerged during the 1930s – 1950s but continued to develop internationally. It is considered the basis of the Swiss style. [1][2] It expanded on and formalized the modernist typographic ...
United States. Based in. Austin, Texas. Language. English. Website. printmag.com. Print is an American design and culture website that began as Print, A Quarterly Journal of the Graphic Arts, in 1940, [1] and continued publishing a physical edition through the end of 2017 as Print. [2]
Neue Grafik ( transl. New Graphic Design, French: Graphisme Actuel) was a quarterly graphic design journal founded in 1958. [1] The journal disseminated the tenets of the International Typographic Style and was key in its emergence as a movement. Eighteen issues of the journal were published from 1958 to 1965. [2]
First published in London in 1990, Eye was founded by Rick Poynor, a prolific writer on graphic design and visual communication. Poynor edited the first twenty-four issues (1990–1997). Max Bruinsma was the second editor, editing issues 25–32 (1997–1999), before its current editor John L. Walters took over in 1999.
The magazine focuses on contemporary graphic design and international visual culture. Regular features include reviews of notable design events and exhibitions, showcases of emerging and established talent, critical viewpoints and special reports, often covering a piece of design history with a particular relevance for today.