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The men's long, narrow coats are trimmed with gold braid. c.1730–1740. Fashion in the period 1700–1750 in European and European-influenced countries is characterized by a widening silhouette for both men and women following the tall, narrow look of the 1680s and 90s. This era is defined as late Baroque/Rococo style.
1775–1795 in Western fashion. Thomas Gainsborough, The Morning Walk (portrait of Mr and Mrs William Hallett), 1785. Fashion in the twenty years between 1775 and 1795 in Western culture became simpler and less elaborate. These changes were a result of emerging modern ideals of selfhood, [1] the declining fashionability of highly elaborate ...
1750–1775 in Western fashion. A Concert in an Interior by Jan Josef Horemans the Younger of Antwerp, 1764. The women's sack-back gowns and the men's coats over long waistcoats are characteristic of this period. Fashion in the years 1750–1775 in European countries and the colonial Americas was characterised by greater abundance, elaboration ...
Painting of a family game of checkers ("jeu de dames") by French artist Louis-Léopold Boilly, c. 1803. Fashion in the period 1795–1820 in European and European-influenced countries saw the final triumph of undress or informal styles over the brocades, lace, periwigs and powder of the earlier 18th century.
A mantua (from the French manteuil or 'mantle') is an article of women's clothing worn in the late 17th century and 18th century. Initially a loose gown, the later mantua was an overgown or robe typically worn over stays, stomacher and either a co-ordinating or contrasting petticoat. The mantua or manteau was a new fashion that arose in the 1670s.
Capote (garment) The River Road by Cornelius Krieghoff, 1855 (Three habitants wearing capotes) A capote (French: [kapɔt]) or capot (French: [kapo]) is a long wrap-style wool coat with a hood. From the early days of the North American fur trade, both indigenous peoples and European Canadian settlers fashioned wool blankets into "capotes" as a ...