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Bésame Mucho. " Bésame Mucho " (Spanish: [ˈbesame ˈmutʃo]; "Kiss Me A Lot") is a bolero song written in 1932 by Mexican songwriter Consuelo Velázquez. [2] It is one of the most popular songs of the 20th century and one of the most important songs in the history of Latin music. It was recognized in 1999 as the most recorded and covered ...
"Dos Oruguitas" was the first song Miranda wrote completely in Spanish. This amount of Spanish was far outside his comfort zone. [3] [4] Miranda said, "It was important to me that I write it in Spanish, rather than write it in English and translate it, because you can always feel translation". [5]
The song popularized the title expression "que sera, sera" as an English-language phrase indicating "cheerful fatalism", though its use in English dates back to at least the 16th century. Contrary to popular perception, the phrase is not Spanish in origin (in Spanish it would be "lo que será, será "), and is ungrammatical in that language. [3]
De Colores. " De colores " ([Made] of Colors) is a traditional Spanish language folk song that is well known throughout the Spanish-speaking world. [1] It is widely used in the Catholic Cursillo movement and related communities such as the Great Banquet, Chrysalis Flight, Tres Días, Walk to Emmaus, and Kairos Prison Ministry.
Yours (Quiéreme Mucho) " Quiéreme mucho " is a criolla - bolero composed in 1911 by Gonzalo Roig with lyrics by Ramón Gollury and Agustín Rodríguez. The song was inspired by Roig's wife, Blanca Becerra, and premiered in Havana in 1911 without much success. In 1917, it was included in the sainete El servicio militar obligatorio and ...
Las Mañanitas. "Las Mañanitas" Spanish pronunciation: [las maɲaˈnitas] is a traditional Mexican [1] birthday song written by Mexican composer Alfonso Esparza Oteo. It is popular in Mexico, usually sung early in the morning to awaken the birthday person, and especially as part of the custom of serenading women.
Hijo de la Luna. " Hijo de la Luna " (English: "Son of the Moon") is a song written by José María Cano performed originally by the Spanish band Mecano with lead singer Ana Torroja. It appeared on their 1986 album, Entre el cielo y el suelo, and had great success all over the Spanish-speaking world, as did the album.
Although sometimes referred to as Ronstadt's first Spanish-language recordings, in fact she had recorded several times in the language before, including "Lo Siento mi Vida", a song she co-wrote with her father for her 1976 album, Hasten Down the Wind, and "Lago Azul," a Spanish translation of "Blue Bayou", that was released as a single ...