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List of Roman cognomina. Roman gentes of Etruscan origin. Roman gentes of Hernician origin. Roman gentes of Latin origin from Alba Longa. Roman gentes of Latin origin from Praeneste. Roman gentes of Latin origin from Tibur. Roman gentes of Latin origin from Tusculum. Roman gentes of Picentine origin. Roman gentes of Sabine origin.
This is a list of Roman nomina. The nomen identified all free Roman citizens as members of individual gentes, originally families sharing a single nomen and claiming descent from a common ancestor. Over centuries, a gens could expand from a single family to a large clan, potentially including hundreds or even thousands of members.
Cosgarach Mhor, the Great Triumphant One, sword of Oscar. Crocea Mors[ fr ], formerly the sword of Julius Caesar, captured by Nennius according to the legends presented by Geoffrey of Monmouth. Cruadh-Chosgarach, the Hard Destroying One, sword of Caílte mac Rónáin. Cruaidín Catutchenn, the sword of Cú Chulainn.
The Roman deities most widely known today are those the Romans identified with Greek counterparts, integrating Greek myths, iconography, and sometimes religious practices into Roman culture, including Latin literature, Roman art, and religious life as it was experienced throughout the Roman Empire. Many of the Romans' own gods remain obscure ...
Calais and Zetes, the sons of the North Wind Boreas. [3] Chareng, also called Uchek Langmeidong, a mythical creature from Meitei mythology that is part-human and part- hornbill, having an avian body and a human head. The Ekek from Philippine mythology is depicted as a humanoid with bird wings and a beak. Eos is often depicted as winged in art.
D. Decemviri. Decurion (administrative) Decurion (Roman cavalry officer) Discens. Domesticus (Roman Empire) Dominus (title) Draconarius. Ducenarius.
Rome's Piazza Navona.. Rome has for over two thousand years been one of the most important artistic centres in the world. Early Ancient Roman art initially developed from the Etruscan art slightly to its north, but from about 2000 BC, as the Roman republic became involved with the Greek world, Ancient Greek art and architecture became the dominant influence, until the two effectively merged ...
Roman fresco from the Tomb of Esquilino, c. 300-280 B.C. As with the other arts, the art of painting in Ancient Rome was greatly indebted to its Greek antecedents. In archaic times, when Rome was still under Etruscan influence, Roman painting was little different from the mural painting of that people, who had developed a linear style learned directly from the Ionian Greeks of the Archaic ...