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Original file (SVG file, nominally 744 × 1,052 pixels, file size: 5 KB) This is a file from the Wikimedia Commons . Information from its description page there is shown below.
Metropolitan Museum of Art, New York, United States: Oil and gold on panel 169,5 x 168,9 c. 1504 The Agony in the Garden [Wikidata] Metropolitan Museum of Art, New York, United States: Oil on panel 24,1 x 28,9 Lamentation over the Dead Christ (Raphael) [Wikidata] Isabella Stewart Gardner Museum, Boston, United States: Oil on panel 23,5 x 28,8 c ...
Pages in category "Paintings of Raphael (archangel)" The following 16 pages are in this category, out of 16 total. This list may not reflect recent changes. A.
The Disputation of the Sacrament (Italian: La disputa del sacramento), or Disputa, is a painting by the Italian Renaissance artist Raphael.It was painted between 1509 and 1510 [1] as the first part of Raphael's commission to decorate with frescoes the rooms that are now known as the Stanze di Raffaello, in the Apostolic Palace in the Vatican.
The following other wikis use this file: Usage on ca.wikipedia.org Louis Raphaël I Sako; Usage on cs.wikipedia.org Louis Sako; Usage on de.wikipedia.org
The lightest areas are the subject's face seen nearly head-on, a billow of white shirt front at his chest, and his folded hands, which are mostly cropped at the bottom edge of the canvas. Castiglione is seen as vulnerable, possessing a humane sensitivity characteristic of Raphael's later portraits. [ 5 ]
A surviving modello for the project, now in the Louvre (a workshop copy of a lost drawing by Raphael's assistant Gianfrancesco Penni) shows the dramatic change in the intended work. Modello for the Transfiguration of Christ, pen and brown ink with white highlights on paper primed with dark brown wash, 40 x 27 cm, c. 1516, Albertina
The Portrait of a Young Woman, also known as La Muta, is an oil on wood portrait by the Italian Renaissance artist Raphael, executed c. 1507–1508. It is housed in the Galleria Nazionale delle Marche, in Urbino. The picture portrays an unknown noblewoman over a near-black background, showing some Leonardesque influences.
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