Search results
Results From The WOW.Com Content Network
Michael Murphy (born March 22, 1975) is an American artist, sculptor and pioneer of the perceptual art movement. Murphy became widely known during the 2008 U.S. presidential election, after creating the first portrait of candidate Barack Obama in 2007 that influenced thousands of artists [1] to contribute to the "Art for Obama" movement, [2] documented in Shepard Fairey's book Art for Obama ...
Degenerate Art also was the title of a 1937 exhibition held by the Nazis in Munich, consisting of 650 modernist artworks that the Nazis had taken from museums, that were poorly hung alongside graffiti and text labels mocking the art and the artists. [1]
Born in 1898 in Bury St Edmunds, Andrews was unable to go straight to art school after high school, since her family could not afford the tuition fees.Given the shortage of young men at home during the First World War, in 1916 she was apprenticed as a welder, working in the Bristol Welding Company's aeroplane factory, helping in the development of the first all-metal aeroplane. [1]
The Nightmare (1781), by Johann Heinrich Füssli, Detroit Institute of Arts, Detroit. Symbolism, understood as a means of expression of the "symbol", that is, of a type of content, whether written, sonorous or plastic, whose purpose is to transcend matter to signify a superior order of intangible elements, has always existed in art as a human manifestation, one of whose qualities has always ...
Alma Woodsey Thomas (September 22, 1891 – February 24, 1978) was an African-American artist and teacher who lived and worked in Washington, D.C., and is now recognized as a major American painter of the 20th century.
Romain de Tirtoff (23 November 1892 – 21 April 1990), known by the pseudonym Erté (from the French pronunciation of his initials: ), was a Russian-born French artist and designer. He worked in several fields, including fashion , jewellery , graphic arts , costume , set design for film, theatre, and opera, and interior decor .
Art for art's sake—the usual English rendering of l'art pour l'art (pronounced [laʁ puʁ laʁ]), a French slogan from the latter half of the 19th century—is a phrase that expresses the philosophy that 'true' art is utterly independent of all social values and utilitarian functions, be they didactic, moral, or political.
"The Critic as Artist" is a significantly revised version of articles that first appeared in the July and September 1890 issues of The Nineteenth Century, originally entitled "The True Function and Value of Criticism." The essay is a conversation between its leading voice Gilbert and Ernest, who suggests ideas for Gilbert to reject.