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This is an A–Z list of jazz tunes which have been covered by multiple jazz artists. It includes the more popular jazz standards, lesser-known or minor standards, and many other songs and compositions which may have entered a jazz musician's or jazz singer's repertoire or be featured in the Real Books, but may not be performed as regularly or as widely as many of the popular standards.
The following is a list of jazz-influenced classical compositions.Classical music has often incorporated elements or material from popular music of the composer's time. Jazz has influenced classical music, particularly early and mid-20th-century composers, including Maurice Rav
For a looser, more comprehensive A-Z list of jazz standards and tunes which have been covered by multiple artists, see the List of jazz tunes Index of articles associated with the same name This set index article includes a list of related items that share the same name (or similar names).
The song is arguably the most recorded popular song, and one of the top jazz standards. Billboard magazine conducted a poll of leading disk jockeys in 1955 on the "popular song record of all time"; four different renditions of "Stardust" made it to the list, including Glenn Miller's (1941) at third place and Artie Shaw's (1940) at number one. [176]
The song's jazz popularity was established by Benny Goodman's 1941 recording with singer Peggy Lee. Coleman Hawkins made a popular jazz version in 1943, and Charlie Parker recorded it as a ballad in 1947. [60] "I Don't Stand a Ghost of a Chance with You" [4] [61] [62] was composed by Victor Young with lyrics by Bing Crosby and Ned Washington ...
Rhapsody in Blue (1924), Gershwin's most famous classical work, a symphonic jazz composition for Paul Whiteman's jazz band & piano, premiered at Aeolian Hall, New York City, better known in the form orchestrated for full symphonic orchestra. Both versions were orchestrated by Ferde Grofé. Featured in numerous films and commercials.
"Star Eyes" [75] is a song from the film I Dood It, written by Gene de Paul and Don Raye. It was introduced by Helen O'Connell and Bob Eberly in the film and became popular among jazz artists after Charlie Parker's 1951 recording. [76] "The Surrey with the Fringe on Top" [16] [77] [78] is a song composed by Richard Rodgers with lyrics by Oscar ...
It is the most widely performed blues song and the most popular jazz standard written before the 1920s. [37] [38] It was the most recorded jazz standard for over 20 years. [38] The song was initially only moderately successful, but later became a big hit when vaudeville and revue performers started singing it in their shows. [39]