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A chorale cantata is a church cantata based on a chorale—in this context a Lutheran chorale. It is principally from the German Baroque era. The organizing principle is the words and music of a Lutheran hymn. Usually a chorale cantata includes multiple movements or parts. Most chorale cantatas were written between approximately 1650 and 1750.
Jesu, nun sei gepreiset BWV 41 Chorale cantata by J. S. Bach Thomaskirche, Leipzig Occasion New Year's Day Chorale "Jesu, nun sei gepreiset" by Johannes Hermann Performed 1 January 1725 (1725-01-01): Leipzig Movements 6 Vocal SATB choir and solo Instrumental 3 trumpets timpani 3 oboes 2 violins viola violoncello piccolo da spalla continuo Jesu, nun sei gepreiset (Jesus, now be praised), BWV 41 ...
In the format of Bach's chorale cantata cycle, the words of the hymn are retained unchanged in the outer movements, here the first and the sixth, while an unknown contemporary librettist transcribed the ideas of the inner stanzas in poetry for recitatives and arias, which matched the style of Bach's cantatas of the first cycle. [3]
The chorale melody of Nicolai's hymn appears in the opening and closing choral movements of the cantata. All instruments play in the opening festive chorale fantasia, in which the soprano sings the hymn tune, and the two solo concertante violins represent the morning star. An oboe da caccia accompanies the vocal soloist in the first aria.
The chorale cantata for Reformation Day (31 October) Ein feste Burg ist unser Gott, BWV 80, originated in several stages: [6] The chorale cantata apparently retained most, if not all, movements of the Alles, was von Gott geboren cantata (BWV 80a), written in Weimar. The libretto of this early version of the BWV 80 cantata survives, but its ...
Similarly, the awareness of being a sinner who needs healing is the theme of Heermann's chorale and this cantata. The paraphrasing poetry adds images to the chorale which the composer could use, for example in movement 3 the divine source of blood to cleanse the stains of sins, a Baroque phrase relying on Psalms 51:4, Revelation 1:5 and ...
Bach structured the cantata in six movements, beginning with a chorale fantasia, followed by a series of alternating arias and recitatives, and concluded by a chorale.He scored it for four vocal soloists (soprano (S), alto (A), tenor (T) and bass (B)), and a Baroque instrumental ensemble of three recorders (Rc), two oboes, taille (Ta), two violin parts (Vl), a viola part (Va), and basso ...
The first movement is a chorale fantasia, and the work is closed by a four-part chorale setting. Bach scored the cantata for four vocal parts, a four-part choir and a Baroque instrumental ensemble of a horn to reinforce the chorale tune, a flauto traverso , oboes , strings and basso continuo .