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Favourite patterns were the "worm sprig" and the "Tournai sprig" introduced by Billingsley at Pinxton, the Dresden-inspired "Berlin china edge", and the blue transfer willow pattern and blue dragon pattern. [9] During the 1830s the factory initiated the practice of applying a light transfer printed blue outline, to guide the painters.
Old Country Roses is a pattern of bone china made by English tableware manufacturer, Royal Albert, a brand of Royal Doulton. It is said to be the best selling pattern for tea services in the world since its creation in 1962.
Early English porcelain was soon being collected, especially in the late 19th century, when prices rose steadily. Over the 20th century there has been a great reversal in collectors' interests, with wares from later in the century far cheaper now (allowing for inflation) than they were a century ago, while the rare earliest pieces have seen ...
From 1808 porcelain, that is to say bone china, was produced, in a great profusion of patterns, for which many of the pattern books survive. The styles are typical for the period, with many flowers, landscapes, and some modified Neoclassical and Chinese (or "Anglo-oriental") treatments.
[3] [4] All told, the factory was in production for longer than any English soft-paste porcelain producer other than Royal Worcester and Royal Crown Derby. [3] Geographically, it was isolated from other porcelain factories, or indeed makers of fine earthenware, which probably accounts for a relatively slow-moving stylistic development.
In the 19th century, J. & G. Meakin was known for the vast quantities of cheap ironstone china it produced for the domestic English market and for export to Australia, Canada, New Zealand and the United States. From around 1970, designs included Liberty, Sterling, Trend, Classic and Heirloom. Some of these were influenced from earlier designs.
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A selection of falangcai porcelains Bowl with peacock in falangcai painted enamels, Yongzheng reign. National Palace Museum. The origin of famille rose is not entirely clear. It is believed that this colour palette was introduced to the Imperial court in China by Jesuits, achieved through the use of purple of Cassius, initially on enamels used on metal wares such as cloisonné produced in the ...