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The concept of metre in music derives in large part from the poetic metre of song and includes not only the basic rhythm of the foot, pulse-group or figure used but also the rhythmic or formal arrangement of such figures into musical phrases (lines, couplets) and of such phrases into melodies, passages or sections (stanzas, verses) to give what ...
"Mongoloid", like many of Devo's early songs, was built on a motorik beat. The song opens with a 4/4 electric bass line, which is then joined by drums, and electric guitar. Over this, a swooping overdubbed synthesizer line featuring frequent pitch bend is played on Minimoog. The synth is not used as a lead instrument during the song, and is ...
Daniel Edwin Carey (born May 10, 1961) [1] is an American musician and songwriter who is the drummer for the progressive metal band Tool.He has also contributed to albums by artists such as Zaum, Green Jellö, Pigface, Skinny Puppy, Adrian Belew, Carole King, Collide, Meat Puppets, Lusk, and the Melvins.
The song features a sampled drum track from the New Traditionalists song "The Super Thing". Casale said that the song was chosen from a batch that the band was working on, and that it was the closest the band had been to releasing a new album. [56] Devo performing live at Festival Hall, in Melbourne, Australia, 2008: Casale and Mothersbaugh.
"The Metre" and "Waiting for the Sun" are two songs released together as a double A-Side single by Powderfinger in support of their fourth studio album Odyssey Number Five. It was released on 27 June 2001 as the album's final single. "The Metre" and "Waiting for the Sun" both had music videos produced.
Vocalist Terri Nunn said the song, which was a breakthrough hit for Berlin, "defined us and defined that period of music." [6] The song's music video was their first MTV hit, in heavy rotation on the young channel in its second and third years. Directed by Dominic Orlando, it was filmed in 1983 at GMT Studios in West Los Angeles, California.
The rhythmic structure is commonly found in traditional Yoruba drum music and plays a significant role in shaping dance movements and ceremonial performances. Additionally, triple metre is evident in oríkì chants, where it enriches lyrical expression. Triple metre, in Yoruba music plays a crucial role in cultural and ceremonial contexts.
Fig also played drums on all but one song on Kiss' 1979 album Dynasty and every song on their 1980 album Unmasked; the use of Fig to replace usual drummer Peter Criss (producers thought Criss, who had a drug problem, had seen a deterioration of his skills [2]) upset Criss, to the point where, after appearing in promotional videos and tours ...