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Chinua Achebe in 1966 "An Image of Africa: Racism in Conrad's Heart of Darkness" is the published and amended version of the second Chancellor's Lecture given by Nigerian writer and academic Chinua Achebe at the University of Massachusetts Amherst in February 1975. The essay was included in his 1988 collection, Hopes and Impediments.
Chinua Achebe was born on 16 November 1930 and baptised Albert Chinụalụmọgụ Achebe. [ 1 ] [ a ] His father, Isaiah Okafo Achebe, was a teacher and evangelist, and his mother, Janet Anaenechi Iloegbunam, was the daughter of a blacksmith from Awka , [ 3 ] a leader among church women, and a vegetable farmer.
Things Fall Apart is the 1958 debut novel by Nigerian author Chinua Achebe. It portrays the life of Okonkwo, a traditional influential leader of the fictional Igbo clan, Umuofia. He is a feared warrior and a local wrestling champion who opposes colonialism and the early Christian missionaries.
It's hailed as one of the greatest works of fiction to emerge from Africa. But Things Fall Apart was written in English, sparking debate about the colonisation of language.
First edition (publ. Doubleday) Hopes and Impediments: Selected Essays, 1965–1987 is collection of essays by Chinua Achebe, published in 1988. [1]Several of the essays caution against generalizing all African people into a monolithic culture, or using Africa as a facile metaphor. [2]
No Longer at Ease is a 1960 novel by Chinua Achebe.It is the story of an Igbo man, Obi Okonkwo, who leaves his village for an education in Britain and then a job in the Colonial Nigeria civil service, but is conflicted between his African culture and Western lifestyle and ends up taking a bribe.
The bibliography of Chinua Achebe includes journalism, essays, novels, poems, and non-fiction books written by the Nigerian author Chinua Achebe (1930–2013). Achebe was a prolific writer on topics related to the colonialism of the British Nigeria .
A leading novelist at the time, Chinua Achebe was a pioneer in post-war Igbo literary activities. Achebe maintained [ 3 ] It is clear to me that an African creative writer who tries to avoid the big social and political issues of contemporary Africa will end up being completely irrelevant --- like the absurd man in the proverb who leaves his ...