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"Historiography and Historiophoty" is the name of an essay by historian and literary critic Hayden White first published in 1988 in The American Historical Review. In the essay, White coins the term " historiophoty " to describe the "representation of history and our thought about it in visual images and filmic discourse". [ 1 ]
Film studies as an academic discipline emerged in the 20th century, decades after the invention of motion pictures.Rather than focusing on the technical aspects of film production, film studies are concentrated on film theory, which approaches film critically as an art, and the writing of film historiography.
The Allegory On the Writing of History shows Truth (top) watching the historian write history, while advised by Wisdom (Jacob de Wit,1754). Historiography is the study of the methods used by historians in developing history as an academic discipline, and by extension, the term historiography is any body of historical work on a particular subject.
Historical method is the collection of techniques and guidelines that historians use to research and write histories of the past. Secondary sources, primary sources and material evidence such as that derived from archaeology may all be drawn on, and the historian's skill lies in identifying these sources, evaluating their relative authority, and combining their testimony appropriately in order ...
Film analysis is the process by which a film is analyzed in terms of mise-en-scène, cinematography, sound, and editing. One way of analyzing films is by shot-by-shot analysis, though that is typically used only for small clips or scenes. Film analysis is closely connected to film theory. Authors suggest various approaches to film analysis.
Film theory is a set of scholarly approaches within the academic discipline of film or cinema studies that began in the 1920s by questioning the formal essential attributes of motion pictures; [1] and that now provides conceptual frameworks for understanding film's relationship to reality, the other arts, individual viewers, and society at large. [2]
Historical circumstances, for example, limit the choices for the director. During the silent film era, filmmakers were not able to use synchronized dialogue until sound became possible in the late 1920s. [3] Films before the 1930s were black and white; now directors have the choice of shooting in color tints or black and white. [4]
David Jay Bordwell (/ ˈ b ɔːr d w əl /; July 23, 1947 – February 29, 2024) was an American film theorist and film historian. [1] After receiving his PhD from the University of Iowa in 1973, he wrote more than fifteen volumes on the subject of cinema including Narration in the Fiction Film (1985), Ozu and the Poetics of Cinema (1988), Making Meaning (1989), and On the History of Film ...