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Noir denotes a marked darkness in theme and subject matter, generally featuring a disturbing mixture of sex and violence. [1]While related to and frequently confused with hardboiled detective fiction—due to the regular adaptation of hardboiled detective stories in the film noir style—the two are not the same. [2]
Neo-noir is a film genre that adapts the visual style and themes of 1940s and 1950s American film noir for contemporary audiences, often with more graphic depictions of violence and sexuality. [1] During the late 1970s and the early 1980s, the term "neo-noir" surged in popularity, fueled by movies such as Sydney Pollack 's Absence of Malice ...
Nordic noir, also known as Scandinavian noir, is a genre of crime fiction usually written from a police point of view and set in Scandinavia or the Nordic countries. Nordic noir often employs plain language, avoiding metaphor , and is typically set in bleak landscapes.
Pulp noir is a subgenre influenced by various "noir" genres, as well as (as implied by its name) pulp fiction genres; particularly the hard-boiled genres which help give rise to film noir. [1] Pulp noir is marked by its use of classic noir techniques, but with urban influences. Various media include film, illustrations, photographs and videogames.
Aristotle's proscriptive analysis of tragedy, for example, as expressed in his Rhetoric and Poetics, saw it as having 6 parts (music, diction, plot, character, thought, and spectacle) working together in particular ways. Thus, Aristotle established one of the earliest delineations of the elements that define genre.
Hardboiled writing is also associated with "noir fiction". Eddie Duggan discusses the similarities and differences between the two related forms in his 1999 article on pulp writer Cornell Woolrich. [13] In his full-length study of David Goodis, Jay Gertzman notes: "The best definition of hard boiled I know is that of critic Eddie Duggan.
The following is a list of films belonging to the neo-noir genre. Following a common convention of associating the 1940s and 1950s with film noir , the list takes 1960 to date the beginning of the genre.
The story contains more oblique references in the form of stylistic elements (offstage murders, Crane's theories of deduction) that suggest Poe had an influence on Latimer's writing. Jorge Luis Borges pays homage to Poe's Dupin in "Death and the Compass", by calling his main detective character Erik Lönrott an "Auguste Dupin"-type detective.