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Femme au béret et à la robe quadrillée (Marie-Thérèse Walter) (Woman wearing a beret and checkered dress) is an oil-on-canvas painting by Pablo Picasso, which he created in 1937. It is a portrait of Marie-Thérèse Walter , Picasso's lover and muse during this period and was created with elements of Cubism .
The film received its first authorized public screening in decades as part of the 2011 Turner Classic Movies Classic Film Festival. [ 5 ] [ 6 ] Edmund Goulding's biographer Matthew Kennedy wrote that Joan Fontaine spoke "rapturously" of The Constant Nymph : "She was nominated for a best actress Oscar for it, and it remains a personal favorite ...
A portrait of Thérèse Walter painted the previous day to the Girl with a Red Beret and Pompom sold in 2013 for £7.5 million at Christie's auction house in New York. [2] Picasso's daughter by Thérèse Walter, Maya Ruiz-Picasso, feels that Girl with a Red Beret and Pompom depicts both her mother and the woman that Picasso left her for, Dora ...
The Impudent Girl (French: L'Effrontée) is a 1985 French film directed by Claude Miller. It stars Charlotte Gainsbourg , who won the César Award for Most Promising Actress , and Bernadette Lafont , who won the César Award for Best Actress in a Supporting Role .
Arletty was imprisoned in 1945 for her wartime liaison with a German Luftwaffe officer, Hans-Jürgen Soehring (1908–1960), [6] during the occupation of France. She allegedly later commented on the experience, "My heart is French but my ass is international." [7] The quotation in French is "Si mon cœur est français, mon cul, lui, est ...
Lady J (French: Mademoiselle de Joncquières) is a 2018 French period drama film directed by Emmanuel Mouret and inspired by a story in Denis Diderot's novel Jacques the Fatalist, [2] which had already been adapted in 1945 for the film Les Dames du Bois de Boulogne by Robert Bresson.
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A.O. Scott reacts positively, stating 'As Adrien reveals the tragedies and setbacks he has suffered in his struggle to remain on the land, a wider social background comes into view, and you, along with Sandrine, come to a profound and remarkably unsentimental appreciation of country life.' [3]