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Nhã nhạc (Vietnamese: [ɲǎːˀ ɲàːˀk], 雅樂, "elegant music") is a traditional music of Vietnam.Vietnamese court music is very diverse, but the term nhã nhạc refers specifically to the Vietnamese court music performed from the Trần dynasty of the 13th century to the Nguyễn dynasty at the end of the 20th century.
Thuy Nga's 1988 "The Giot Nuoc Mat Cho Viet Nam [A Tear for Vietnam]" song selection, which was visualized to reflect some melancholic characteristics, and typify those hot exiled music themes. With the appearance of music videos, many pre-1975 songs, as well as newly composed exiled songs, were accompanied by visuals. [12]
5 April. Nha Trang was captured with little opposition. [4]: 381 8 April. A Republic of Vietnam Air Force (RVNAF) pilot dropped bombs from his F-5 on the Presidential Palace in Saigon and defected to the North Vietnamese. The bombs did little damage but caused panic in Saigon. [3]: 114–6
The song had to be easy to remember, sing, perform and popularize. Mai Văn Bộ and Huỳnh Văn Tiểng wrote the lyrics and Lưu Hữu Phước composed the music. The trio decided to use a new pseudonym " H uỳnh M inh L iêng", with the letter H, M, L representing the family name of each member.
The traditional music of Vietnam has been heavily influenced by Chinese music, mainly in terms of musical instruments and performance styles. [3] The introduction of American music, particularly rock and roll and pop music, has influenced the development of modern Vietnamese music.
Vietnam talent showed strong presence at the 12th QCinema International Film Festival in Quezon City, Philippines, as Trương Minh Quý’s “Viet and Nam” claimed the top prize, while ...
The LP Nguyễn Ánh 9 - Lặng lẽ tiếng dương cầm (Nguyen Anh 9 - The quiet piano sound) including ten songs (a collaboration between the songwriter Duc Tri and Gia Dinh Audio). [ 6 ] The live show Nguyễn Ánh 9 - Nửa thế kỷ âm nhạc (Nguyen Anh 9 - Half a century of music) taking place in Hanoi on the night of December 29, 2011.
Phạm Duy (5 October 1921 – 27 January 2013) was one of Vietnam's most prolific songwriters with a musical career that spanned more than seven decades through some of the most turbulent periods of Vietnamese history and with more than one thousand songs to his credit, [1] he is widely considered one of the three most salient and influential figures of modern Vietnamese music, along with ...