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The Saraswati Shloka (Sanskrit: सरस्वती श्लोक, romanized: Sarasvatī Śloka) is a Hindu prayer. It is traditionally chanted by a student before their commencement of studies. It is traditionally chanted by a student before their commencement of studies.
Meaning: When Madhusudana, the master of speech, came to navadvipa, Mathuranatha tarkavagisha (who was the foremost navya naiyayika during those times) trembled (with fear) and Gadadhara (another logician of great repute) became afraid. A few words about the authors. Madhusudana Sarasvati is a towering giant among advaitins.
The Saraswati Vandana (Sanskrit: सरस्वती वन्दना, romanized: Sarasvatī Vandanā) is a Hindu mantra. It is addressed to the goddess Saraswati , the goddess of knowledge, music, art, speech, wisdom, and learning.
Sibpur S.S.P.S Vidyalaya is the abbreviation of Sibpur Srimat Swami Projnanananda Saraswati Vidyalaya. The school was named after famous revolutionist and monk Swami Projnanananda Saraswati and was established in the year of 1950 by Shri Yogesh Chandra Mukhopadhyay , one of the disciples of Swami Projnanananda.
The text, along with other Shakta Upanishads, has been dated to 16th-century, according to C Mackenzie Brown – a professor of Religion and writer of books on Hindu goddesses. [2] Even though this text is of relatively late origin, Sarasvati as goddess is traceable to Vedic literature from the 2nd millennium BCE. [16] [17] [18] The text has ...
Shloka or śloka (Sanskrit: श्लोक śloka, from the root श्रु śru, lit. ' hear ' [1] [2]) in a broader sense, according to Monier-Williams's dictionary, is "any verse or stanza; a proverb, saying"; [3] but in particular it refers to the 32-syllable verse, derived from the Vedic anuṣṭubh metre, used in the Bhagavad Gita and many other works of classical Sanskrit literature.
The Shri Guru Charitra is a book based on the life of Shri Nrusimha Saraswati (a.k.a Narasimha Saraswati), written by the 15th-16th century poet Shri Saraswati Gangadhar. The book is based on the life of Shri Narshimha Saraswati, his philosophy and related stories. The language used is the 14-15th century Marathi.
She wears a crown made of 5 skulls connected with plates of bone. Eight forms of Tara are attested in the Māyātantra quoted in the tantric compendium Tantrasāra and the names are Ekajaṭa, Ugra-Tara, Mahogra, Kameshvari-Tara, Chamunda, Nila-Sarasvati (Neelasaraswati or 'Blue Saraswati'), Vajra-Tara and Bhadrakali. [8]