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The melody is credited to Dorsey, drawn extensively from the 1844 hymn tune, "Maitland". [1] " Maitland" is often attributed to American composer George N. Allen (1812–1877), but the earliest known source (Plymouth Collection, 1855 [2]) shows that Allen was the author/adapter of the text "Must Jesus bear the cross alone," not the composer of the tune, and the tune itself was printed without ...
The melody is from the American Shaker song "Simple Gifts". The hymn is widely performed in English-speaking congregations and assemblies. [1] The song follows the idea of the traditional English carol "Tomorrow Shall Be My Dancing Day", which tells the gospel story in the first-person voice of Jesus of Nazareth with the device of portraying ...
Chalmers Edward " Spanky " Alford (May 22, 1955 – March 24, 2008) was an American gospel, jazz, and neo-soul guitarist. Alford was born in Philadelphia. He was well known for his playing style, utilizing chord embellishments. He had an illustrious career as a gospel quartet guitar player in the 1960s, 1970s, and 1980s with groups such as the ...
Ira D. Sankey. Ira David Sankey (August 28, 1840 – August 13, 1908) was an American gospel singer and composer, known for his long association with Dwight L. Moody in a series of religious revival campaigns in America and Britain during the closing decades of the 19th century. Sankey was a pioneer in the introduction of a musical style that ...
The hymn "When I Survey the Wondrous Cross" was written by Isaac Watts, and published in Hymns and Spiritual Songs in 1707. It is significant for being an innovative departure from the early English hymn style of only using paraphrased biblical texts, although the first couplet of the second verse paraphrases Galatians 6:14a and the second couplet of the fourth verse paraphrases Gal. 6:14b.
"Awaiting on You All" is a song by English musician George Harrison, released on his 1970 triple album, All Things Must Pass. Along with the single "My Sweet Lord", it is among the more overtly religious compositions on All Things Must Pass, and the recording typifies co-producer Phil Spector's influence on the album, due to his liberal use of reverberation and other Wall of Sound production ...
The hymn, immensely popular in the nineteenth century, became a Gospel standard and has appeared in hymnals ever since.. A crowd of admirers in New Zealand sang the hymn in 1885 at the railway station to the departing American temperance evangelists Mary Greenleaf Clement Leavitt of the Woman's Christian Temperance Union and Blue Ribbon Army representative R.T. Booth.
1551. Meter. 8.8.8.8 (L.M.) The Old 100th psalm tune. An audio example of the tune. " Old Hundredth " (also known as " Old Hundred ") is a hymn tune in long metre, from the second edition of the Genevan Psalter. It is one of the best known melodies in many occidental Christian musical traditions. The tune is usually attributed to the French ...