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The Heart's Offering with Songs New and Old for The Lord's Memorial (1915) [551] Revival Gems: a Small Book with a Big Mission (1921) Living Hymns: the small hymnal: a book of worship and praise for the developing life (1923) [552] The New Baptist Hymnal (1926) [553] Junior Hymns and Songs: for use in Church School (1927) [554]
Hymns Ancient and Modern is a hymnal in common use within the Church of England, a result of the efforts of the Oxford Movement.The hymnal was first published in 1861. The organization publishing it has now been formed into a charitable trust, Hymns Ancient and Modern Ltd, [1] and As of 2022 it publishes a wide range of hymnals as well as other theological and religious books and magazines ...
The New English Hymnal is a hymn book and liturgical source aimed towards the Church of England. First published in 1986, it is a successor to, and published in the same style as, the 1906 English Hymnal. [1] It is published today by SCM Canterbury Press, an imprint of Hymns Ancient and Modern Ltd.
The hymn is most commonly set to the tune "Duke Street", composed by John Hatton, about whom little is known except his place of residence, on Duke Street in St. Helen's. [1] The following setting appears in the modern hymnal "Complete Anglican Hymns Old and New". [5]
Tell Me the Old, Old Story; Tell Out, My Soul; There is a fountain filled with blood; There is a green hill far away; There is a longing; There's a Friend for Little Children; Thine for ever! God of love; To Be a Pilgrim
The "Great Four" are four hymns widely popular in Anglican and other Protestant churches during the 19th century.[3]In his Anglican Hymnology, published in 1885, the Rev. James King surveyed 52 hymnals from the member churches of the Anglican Communion around the world, and found that 51 of them included these hymns, the so-called Great Four: [4]
The preface to the hymnal describes itself as "a collection of the best hymns in the English language." [2] Much of the contents was used for the first time at St Mary's, Primrose Hill, in north London [3] [4] and the hymnbook could be considered a musical companion to The Parson's Handbook, Dearmer's 1899 manifesto on English church ceremonial, vestments and furnishings.
During the Georgian era, the music of George Frideric Handel was highly significant, with his repertoire of anthems, canticles and hymns, although he never held a church post. [15] Up until the early 19th century, most Anglican church music in England was centred around the cathedrals, where trained choirs would sing choral pieces in worship.