Search results
Results From The WOW.Com Content Network
Hindi: Basant (raga) Basant Hai Aayaa Rangeela Stree (1961 film) C. Ramchandra: Asha Bhosle & Mahendra Kapoor: Hindi: Basant (raga) Ketaki Gulab Juhi Champaka Bana Phule Basant Bahar (film) Shankar–Jaikishan: Bhimsen Joshi: Hindi: Basant (raga) (Blend of Shuddha Vasant, Vasant, Shivranjani) Idhayam Kochadaiiyaan: A. R. Rahman: Chinmayi ...
Raga Bageshri is a night time raga (madhya raatri Ragsamaya), written in Kaafi thaat, Ma Vadi, Sa Samvadi, 5/7 Jati, Hasya Rasa (associated with joyful, the comic, and happy emotions) [4]. [ 5 ] In modern days, people like the popular Hindi music director C.Ramchandra favour composing songs in Bageshri, as he found it simple.
Bhoopali, also known as Bhoop, Bhopali, or Bhupali, is a Hindustani classical raga. Bhupālī, is a raag in Kalyan Thaat. It is a pentatonic scale (uses 5 notes in ascending and descending scale). [1] Most of the songs in this raga are based on Bhakti rasa. Since it uses 5 notes, belongs to the "Audav jaati" of ragas.
The gayan samay or the time of singing this raga is at dusk. Raag Puriya Dhanashree is sung at time of transition from the afternoon to the evening and thus it is known as a Sandhiprakash Raga. The pakad of this Raga or the catch phrase of this Raga under the Bhatkande system is -N r G, M r G P, M d P, M G M r G d M G r S .
The Raga Guide: A Survey of 74 Hindustani Ragas. Nimbus Records with Rotterdam Conservatory of Music. p. 40. ISBN 9780954397609. Bhimpalāsi Rāga (Hin), The Oxford Encyclopaedia of the Music of India. Oxford University Press. ISBN 9780195650983; Gosvami, O. (1957). The Story Of Indian Music. Bombay: Asia Publishing House.
Ravi Shankar on his 1956 album Three Ragas, Hariprasad Chaurasia & Zakir Hussain, Ali Akbar Khan & L Subramanian. Namo Namo Bharathambe, a Patriotic Sanskrit song, written in 2016 by Swami Shri Shri Ramanacharanathirtha (who was Nochur Venkataraman then, before his sanyasa in 2023), tuned and sung by Kuldeep Pai & Sooryagayathri from Vande Guru ...
Yaman's Jati is a Sampurna raga (ideally, yaman is audav sampoorna raag because of the structure- N,RGmDNR'S' NDPmGRS) and in some cases Shadav; the ascending Aaroha scale and the descending style of the avroha includes all seven notes in the octave (When it is audav, the Aroha goes like N,RGmDNS', where the fifth note is omitted; Pa but the Avaroha is the same complete octave).
Kirwani is a musical scale in Hindustani classical music. It is an Indian raga specially suited for instrumental music. The scale is the same as the harmonic minor in western music. There are shades of Pilu in Kirwani. This raga is said to have been borrowed from the Carnatic music raga Keeravani.