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Mass Production is an American funk/disco musical group, best known for their 1979 hit, "Firecracker." Based in Norfolk, Virginia , the ten-piece group had a series of minor R&B hits in the late 1970s and early 1980s.
Year Song [1] [2] Original artist [1] U.S. Pop U.S. R&B UK Singles Chart Other charting versions, and notes 1959 "She Say (Oom Dooby Doom)" The Diamonds: 18 — — Written by Barry Mann and Mike Anthony
Greatest Hits Live by Earth, Wind & Fire (1996) Greatest Hits by Earth, Wind & Fire (1998) Evolution (1999) and When All Is Said (2006) by Edge of Sanity; Olé ELO, the first compilation album by the Electric Light Orchestra (1976) ELO's Greatest Hits by Electric Light Orchestra (1979) Curtain Call: The Hits by Eminem (2005) Curtain Call 2 by ...
This is a list of songs that have peaked at number one on the Billboard Hot 100 and the magazine's national singles charts that preceded it. Introduced in 1958, the Hot 100 is the pre-eminent singles chart in the United States, currently monitoring the most popular singles in terms of popular radio play, single purchases and online streaming.
A greatest hits album or best-of album is a type of compilation album that collects popular and commercially successful songs by a particular artist or band. [1] While greatest hits albums are typically supported by the artist, they can also be created by record companies without express approval from the original artist as a means to generate sales. [2]
Music Trance is a studio album by Ben E. King, released in 1980. [5]It contains only seven tracks; however, the tracks are some of the longest he ever recorded. As a result, the length of the album is longer than many of his others.
The U.S. is producing more oil than ever, and that's helping gas prices stay low. However, even amid inflation anxiety, the Biden administration isn't openly celebrating the increased output.
The soundtrack consisted of songs which were curated from Benson's musical selections included in the script written during the film's pre-production. [1] Benson associated with music supervisor Mary Ramos, on curating specific songs with the stipulated budget allocated for music rights and also appropriate to the situation and narrative, thereby becoming a conscious process.