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Download as PDF; Printable version; In other projects ... Friedrich Wilhelm Nietzsche [ii] (15 October 1844 ... Nietzsche slipped too far into illness. At the ...
The treatise is considered an important work from Nietzsche's early creative period (see Friedrich Nietzsche bibliography). In it, he criticizes his academic contemporaries who, in his opinion, either overestimate or misjudge the importance of history. This work also anticipates Nietzsche's later themes and has received comparatively great ...
Vorberg also wrote a study on Guy de Maupassant's disease (1908) and in 1933 he described Friedrich Nietzsche's illness as syphilis plus psychopathy in the manner of the "Polish rumor." [ 5 ] In his essay about spoilers of language and gossips (1917) he compared Gottfried Benn , the author of the experimental drama Karandasch , with the ...
A German philosopher [Friedrich Nietzsche] has said: 'Live dangerously.' I would like this to be the motto of the passionate, young Italian Fascism: 'Live dangerously.' This must mean to be ready for everything, any sacrifice, any danger, any action, when it comes to defending the fatherland and fascism.
Biographie seines Denkens) is a biography of the German philosopher Friedrich Nietzsche, written by Rüdiger Safranski and published by Carl Hanser Verlag in 2000. It focuses on the developments and changes of Nietzsche's philosophy, with little discussion of his personal life. The final chapter is about Nietzsche's influence in the 20th century.
Cover of the first edition of "Vom Nutzen und Nachtheil der Historie für das Leben" (the second essay of the work), 1874. Untimely Meditations (German: Unzeitgemässe Betrachtungen), also translated as Unfashionable Observations [1] and Thoughts Out of Season, [2] consists of four works by the philosopher Friedrich Nietzsche, started in 1873 and completed in 1876.
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Nietzsche's focus is on the psychology and social life of the philosopher, identifying misanthropy and seclusion as the result of being motivated toward knowledge itself, regardless of any features of the philosopher's cosmology, physics, or epistemology. [3] Nietzsche concludes the essay by identifying a need to have art along with