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Lady Macbeth is a leading character in William Shakespeare's tragedy Macbeth (c. 1603–1607). As the wife of the play's tragic hero, Macbeth (a Scottish nobleman), Lady Macbeth goads her husband into committing regicide, after which she becomes queen of Scotland. Some regard her as becoming more powerful than Macbeth when she does this ...
Lady Macbeth is a 2016 British period drama film directed by William Oldroyd and produced by Fodhla Cronin O'Reilly. Written for the screen by Alice Birch, it is based on the 1865 novella Lady Macbeth of the Mtsensk District by Nikolai Leskov. It stars Florence Pugh, Cosmo Jarvis, Paul Hilton, Naomi Ackie (in her film debut) and Christopher ...
Lady Macbeth sleepwalking by Johann Heinrich Füssli. At night, in the royal palace at Dunsinane, a doctor and a gentlewoman discuss Lady Macbeth's sudden frightening habit of sleepwalking. Lady Macbeth enters in a trance with a candle in her hand, bemoaning the recent murders and trying to wash off imaginary bloodstains from her hands.
Lady Macbeth of Mtsensk, Op. 29 (Russian: Леди Макбет Мценского уезда, romanized: Ledi Makbet Mtsenskogo uyezda, lit. 'Lady Macbeth of the Mtsensk District') is an opera in four acts and nine scenes by Dmitri Shostakovich .
Gruoch ingen Boite (fl. c. 1015 – unknown) was a Scottish queen, the daughter of Boite mac Cináeda, son of Cináed II. [1] The dates of her life are uncertain. She is most famous for being the wife and queen of MacBethad mac Findlaích (Macbeth), as well as the basis for Lady Macbeth in Shakespeare's Macbeth.
Lady Macbeth of the Mtsensk District (Russian: Леди Макбет Мценского уезда, Ledi Makbet Mtsenskogo uyezda) is an 1865 novella by Nikolai Leskov. It was originally published in Fyodor Dostoyevsky 's magazine Epoch .
Macduff and Lady Macduff appear in both Raphael Holinshed's Chronicles (1577) and Hector Boece's Scotorum Historiæ (1526). [1] Holinshed's Chronicles was Shakespeare's main source for Macbeth, though he diverged from the Chronicles significantly by delaying Macduff's knowledge of his wife's murder until his arrival in England.
After Lady Macbeth she played Desdemona, Rosalind, Ophelia, and Volumnia, all with great success; but it was as Queen Catherine in Henry VIII that she discovered a part almost as well adapted to her acting powers as that of Lady Macbeth. [1] She once told Samuel Johnson that Catherine was her favourite role, as it was the most natural. [19]