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The painting shows a nude, redheaded woman riding a black, frenetic horse. The horse bares its teeth, its tongue hanging out. Its nostrils are dilated and foam runs from its mouth. The woman riding the horse tightly clasps its neck with her eyes closed, her loose hair fanning out and flowing upwards to mingle with the horse's mane.
The Friesian (Fries paard in Dutch; Frysk hynder in West Frisian) is a horse breed originating in Friesland in north Netherlands. The breed nearly became extinct on more than one occasion. It is classified as a light draught horse, and the modern day Friesian horse is used for riding and driving.
The horse appears less frequently in modern art, partly because the horse is no longer significant either as a mode of transportation or as an implement of war. Most modern representations are of famous contemporary horses, artwork associated with horse racing, or artwork associated with the historic cowboy or Native American tradition of the ...
The cheval de frise (plural: chevaux de frise [ʃə.vo də fʁiz], "Frisian horses") was a defensive obstacle, existing in a number of forms, principally as a static anti-cavalry obstacle but also quickly movable to close breaches. The term was also applied to underwater constructions used to prevent the passage of ships or other vessels on rivers.
At the Races in the Countryside or Carriage at the Races is an 1869 oil painting by the French painter Edgar Degas. The painting, which depicts a scene of a family in a horse-drawn carriage in the countryside, is on display at the Museum of Fine Arts Boston. [1] The painting was shown at the First Impressionist Exhibition in 1874. [2]
Little was known of Troye's work in the eastern United States until 1912. Since then, more than 300 of his paintings have been found, of which three-fourths have been photographed since 1912. In addition, he is the author of The Race Horses of America (1867). [2] Troye is buried in Georgetown Cemetery with his wife and grandson, Clarence D ...
The Alt-Oldenburger and Ostfriesen are representatives of a group of horse breeds primarily from continental Europe called heavy warmbloods.The breed has two names because the same horse was bred in two regions in the most north-western part of Germany: East Frisia and the former grand duchy of Oldenburg.
Other paintings of horses by Géricault include Officer Hunter Horse of the Imperial Guard Charging (1812) and Race of Free Horses in Rome (1819). [2] This work is a rare and valuable example of painting dated from his travel in England, when Géricault preferred to work in lithography. It was painted for the English horse dealer Adam Elmore.