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Time magazine explained that Sondheim is "still the great chronicler of married life" in all its form - in this song he demonstrates the bitterness of marriage. [1] Backstage described it as "biting contemplation of divorce." [2] Vulture calls the song a "stinging Coward-esque waltz."
English songwriter Hal Shaper noticed the song and in November 1961 wrote English lyrics to the melody, calling it "Softly, as I Leave You." When he performed the song live in Las Vegas, Elvis Presley prefaced with a story about the origins of the song. Presley said the song originated when a man was dying and his wife was sitting by his bedside.
Peter Cetera originally wrote "If You Leave Me Now" at the same time as Chicago VII's "Wishing You Were Here", and composed it on a guitar. [22] According to information on the sheet music for the song at MusicNotes, "If You Leave Me Now" is written in the key of B major, and Cetera's vocal range varies between F sharp 3 (F♯ 3) and D sharp 5 (D♯ 5).
Three Dog Night covered the song in a 1975 single, published by ABC and produced by Jimmy Ienner. [9] Merl Saunders and Aunt Monk covered it in 1976 on their album You Can Leave Your Hat On. [10] Tom Jones covered the song for the soundtrack of the 1997 British film The Full Monty, and it is included in the subsequent 2013 play of the same name.
Softly, as I Leave You may refer to: Softly, as I Leave You, a song composed by Giorgio Calabrese; Softly, as I Leave You, an album by Frank Sinatra This page ...
"I Couldn't Leave You If I Tried" is a song written and recorded by American country music artist Rodney Crowell. It was released in May 1988 as the second single from Crowell's album Diamonds & Dirt. the song was the second of Crowell's five number one country singles.
"If You Leave" is a 1986 song by the English electronic band Orchestral Manoeuvres in the Dark (OMD). It was recorded for the soundtrack to the film Pretty in Pink (1986), in which it is played prominently during the final scene. Along with 1980's "Enola Gay", the track has been described as OMD's signature song.
The song then bursts into a passionate, anthemic chorus: "If I could find you now / things would get better / We could leave this town and run forever." [13] The concept of leaving your hometown is a familiar, "romantic" one across pop music [14] —artists from Katy Perry to Bruce Springsteen have tackled the trope—and especially in pop punk ...