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Print/export Download as PDF; Printable version; In other projects Wikidata item; Appearance. ... # of chords Quality 50s progression: I–vi–IV–V: 4:
Chicago blues harmonica player Junior Wells recorded several versions of "Early in the Morning" during his career. He first recorded it in 1954 for States Records, while he claimed he was AWOL from the U.S. Army. [12] Titled "'Bout the Break of Day", Wells added several verses which have been used in subsequent versions of the song by other ...
The destination of a chord progression is known as a cadence, or two chords that signify the end or prolongation of a musical phrase. The most conclusive and resolving cadences return to the tonic or I chord; following the circle of fifths , the most suitable chord to precede the I chord is a V chord.
These chords stand in the same relationship to one another (in the relative minor key) as do the three major chords, so that they may be viewed as the first (i), fourth (iv) and fifth (v) degrees of the relative minor key. For example, the relative minor of C major is A minor, and in the key of A minor, the i, iv and v chords are A minor, D ...
"Early in the Mornin'" or "'Early in the Morning" is a song that was recorded by Louis Jordan and His Tympany Five in 1947. It is an early example of a blues which incorporates Afro-Cuban rhythms and percussive instruments. [1] "Early in the Mornin'" became a hit, reaching number three in Billboard magazine's race records chart. [2]
A guitarist performing a C chord with G bass. In Western music theory, a chord is a group [a] of notes played together for their harmonic consonance or dissonance.The most basic type of chord is a triad, so called because it consists of three distinct notes: the root note along with intervals of a third and a fifth above the root note. [1]
"Early One Morning" is a blues rock song written by Little Richard. It was originally released on his album The Fabulous Little Richard, and released by Specialty Records as a B-side single to "She Knows How to Rock" in November 1958. [1] The song derives from "Wee Baby Blues" by Big Joe Turner. [2]
By the early 1950s, the song became a blues standard. In the 1960s, "Baby, Please Don't Go" became a popular rock song after the Northern Irish group Them recorded it in 1964. Jimmy Page, a studio guitarist at the time, participated in the recording session, possibly on rhythm guitar. Subsequently, Them's uptempo rock arrangement also made it a ...