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The Lingnan School (traditional Chinese: 嶺南畫派; simplified Chinese: 岭南画派; pinyin: Lǐngnán huà pài) was an art movement active in the late Qing dynasty and Republic of China that sought to modernize Chinese painting through borrowing from other artistic traditions.
Overall, the classical Lingnan style, which is the best-known of Lingnan architecture, tends to favor pale colors such as green and white, avoid circular structures, adopt large numbers of relief carvings and sculptures, have many open structures like balconies and verandas, and be built using materials resistant to molds and moisture. The last ...
Gao is recognized, together with his brother Jianfu and fellow Ju Lian student Chen Shuren, as a founder of the Lingnan School of painting. [21] All three shared similar backgrounds, and drew on Western influences in their art, [ 14 ] believing that synthesis was necessary to preserve Chinese tradition while creating a new style of "national ...
Gao Jianfu (1879–1951; Chinese: 高剑父, pronounced "Gou Gim Fu" in Cantonese) was a Cantonese artist during World War II.He is known for leading the Lingnan School's effort to modernize Chinese traditional painting as a "new national art."
The Lingnan School is a distinctive style of painting invented primarily by Cantonese artists. [21] It originated in the 19th century, founded by Gou Gim-fu and several of his associates. This style combined the ink wash painting shared by all Han Chinese and watercolor painting, also with the influence from impressionism. It emphasizes leaving ...
Qin Xiaoyi praised him as a "great master" and all-rounder of poetry, calligraphy, and painting unique in the history of the Lingnan School. [2]: 138–139 Au's work is characterized by the Lingnan School's use of colors, white space, and skeletal structure, along with a combination of modern and Western elements.
A renowned painter of the Lingnan School of Chinese art, [1] [3] He Xiangning was elected the third chairperson of the China Artists Association in July 1960. [7] She particularly enjoyed painting plum blossoms, pine trees, tigers, and lions. A collection of her paintings was published in 1979 in Guangdong. [3]
Art and Revolution in Modern China: The Lingnan (Cantonese) School of Painting, 1906–1951. Berkeley: University of California Press. ISBN 978-0-520-33696-4. Reviewed: Template:Did you know nominations/History of education in Wales (1939–present), Template:Did you know nominations/Frankfurt silver inscription