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Most of Novaliches pottery can be distinguished from Bau pottery and Kalanay pottery. While it shares form and decoration with Kalanay pottery, it contains more variability compared to Bau pottery. According to Solheim (2002), “it is the most sophisticated pottery that has yet been found in the Philippines”
Earthenware vessels in the Philippines were formed by two main techniques: paddle and anvil, and coiling and scraping. [2] Although a level of highly skilled craftsmanship is present in the Philippines, no evidence of kilns are found, primarily because the type of clay to be found in the archipelago can only withstand relatively low temperatures of firing.
The artwork consists of four oil paintings on canvas created by national artist Carlos V. Francisco in 1953 for the entrance of the Philippine General Hospital. This quadriptych depicts the history of medicine in the Philippines until the middle of the 20th century.
Pottery (ceramics, clay, and folk clay sculpture) has been part of Filipino culture for about 3,500 years. [169] Notable artifacts include the Manunggul Jar (890–710 BCE) [170] and Maitum anthropomorphic pottery (5 BC-225 AD). [171] High-fired pottery was first made around 1,000 years ago, leading to a ceramic age in the Philippines. [135]
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Detail on a jar cover molded into a human head. Even though the burial jars are similar to that of the pottery found in Kulaman Plateau, Southern Mindanao and many more excavation sites here in the Philippines, what makes the Maitum jars uniquely different is how the anthropomorphic features depict “specific dead persons whose remains they guard”.
Jingdezhen, a hub for Chinese ceramic production in Jiangxi, was a main source of high quality porcelain that dominated the international Chinese porcelain market. [2] By the end of the 14th century, primary production sites in Jingdazhen shifted from bluish-white colored wares to predominantly blue-and-white porcelain. [2]
The finds at Ayub Cave in South Cotabato confirmed the great pottery tradition of the Philippines. In the Tokiko it mentions that all Rusun jars had this marking known as the rokuru (wheel mark). Those familiar with Philippine ethnography will know that this spiral is commonly used by many of the Philippine tribes.