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Indies Empire style in Indonesia was not the work of a professional architect, but the design of a building supervisor (opzichter). Modern academics such as architects Berlage and Moojen considered the Indies Empire style buildings to be low in quality; [ 8 ] which led to a renaissance of architectural style which sought a new unique identity ...
The architecture of Indonesia reflects the diversity of cultural, historical, and geographic influences that have shaped Indonesia as a whole. Invaders, colonizers, missionaries, merchants, and traders brought cultural changes that had a profound effect on building styles and techniques.
The colonial architecture of Indonesia refers to the buildings that were created across Indonesia during the Dutch colonial period, during that time, this region was known as the Dutch East Indies. These types of colonial era structures are more prevalent in Java and Sumatra, as those islands were considered more economically significant during ...
Nowhere else in Indonesia are the influences of the 'Modern movement' in architecture observable as in the City of Bandung. [2] Albert Aalbers is the most representative expression of Nieuwe Bouwen in Indonesia, and many of his masterpieces - such as Savoy Homann Hotel (1939), Denis Bank (1936), and the "Driekleur" (1937) - were located in Bandung.
Many Jengki style buildings have been demolished but examples remain across Indonesia, particularly in the capital Jakarta, and in the Javan cities of Bandung, Yogyakarta, Solo and Semarang, as well as outside Java – in Medan, Biak, Makassar and Balikpapan. Below are some list of buildings designed in Jengki style:
This list of Indonesian architects includes notable architects, civil engineers, and other historic figures from the archipelago of Indonesia and its history.Also included are those who were born outside Indonesia but are primarily known for their practice within Indonesia.
The Grand Hall of the Pura Mangkunegaran can host five to ten thousand people, and it is considered the largest hall in Indonesia. The wooden pillars of the Grand Hall are square-shaped and made of wood from the Kethu Forest trees (Alas Kethu) which is located in Wonogiri and was one of the regions owned by the Duchy of Mangkunegaran. All parts ...
The National Gallery of Indonesia has existed as a cultural institution in the field of visual arts since May 8, 1999. The institution plays an important role in expanding public's awareness of artworks through preservation, development and exploitation of the visual arts in Indonesia. [2]