Search results
Results From The WOW.Com Content Network
Classic examples are The Cabinet of Dr. Caligari (1920), Nosferatu (1922), Metropolis (1927) The Hunchback of Notre Dame (1939), The Devil and Daniel Webster (1941), and the black and white scenes in Andrei Tarkovsky's Stalker (1979). [28] For example, in Metropolis, chiaroscuro lighting creates contrast between light and dark mise-en-scene and ...
Image credits: surrealism.world Today's list is also full of contemporary surrealist creations. The pictures were collected and shared by Instagram page @surrealism.world, which currently has over ...
Types of art techniques There is no exact definition of what constitutes art. Artists have explored many styles and have used many different techniques to create art ...
The difference in values is often called contrast, and references the lightest (white) and darkest (black) tones of a work of art, with an infinite number of grey variants in between. [6] While it is most relative to the greyscale, though, it is also exemplified within colored images. [3]
Directory of featured pictures Animals · Artwork · Culture, entertainment, and lifestyle · Currency · Diagrams, drawings, and maps · Engineering and technology · Food and drink · Fungi · History · Natural phenomena · People · Photographic techniques, terms, and equipment · Places · Plants · Sciences · Space · Vehicles · Other ...
Sprezzatura is a major feature of Mannerist art and sculpture, particularly the bella maniera school, in which the artist synthesized the best attributes from various sources into a new design. Sprezzatura emphasized virtuosic effects that were displayed with apparent ease and facility. Cellini's Perseus would be an excellent example. [citation ...
In works of art, literature, and narrative, a symbol is a concrete element like an object, character, image, situation, or action that suggests or hints at abstract, deeper, or non-literal meanings or ideas. [1] [2] The use of symbols artistically is symbolism. In literature, such as novels, plays, and poems, symbolism goes beyond just the ...
For example, John Donne and the metaphysical poets developed the conceit as a literary device, where an elaborate, implausible, and surprising analogy was demonstrated. In Renaissance poetry, and particularly in sonnets, the contrast was similarly used as a poetic argument. In such verse, the entire poem argues that two seemingly alike or ...