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Lupin the 3rd vs. Detective Conan: The Movie: ¥4.26 billion: 7 Detective Conan: Dimensional Sniper: ¥4.11 billion: 8 Doraemon: New Nobita's Great Demon—Peko and the Exploration Party of Five: ¥3.58 billion: 9 When Marnie Was There: ¥3.53 billion: 10 Pokémon the Movie: Diancie and the Cocoon of Destruction: ¥2.91 billion
Pages in category "Japanese erotic drama films" The following 18 pages are in this category, out of 18 total. ... (2014 film) N.
Japanese erotic films include: 1) live action pink films made by independent studios (e.g. Wakamatsu, OP Eiga) for release to adult theatres, . 2) live action films distributed by major studios for wide release.
The full cast of the film was announced on May 13, 2014. [27] On May 26, the poster of the film was released, [28] and the first trailer of the film was released on May 30. [29] The film had its premiere on July 13, 2014, with Rena Nōnen, Hiroomi Tosaka, Ryōhei Suzuki, Rina Ōta, Motoki Ochiai attending.
My Man (私の男, Watashi no Otoko) is a 2014 Japanese romantic drama film directed by Kazuyoshi Kumakiri and based on Kazuki Sakuraba's Watashi no Otoko novel. [1] The film follows a foster father and daughter and the lengths they take to maintain the twisted nature of their relationship. It was released on 14 June 2014 in Japan. [2]
Highest-grossing Japanese films in Japan by distributor rentals up until 1996 Year Title Japanese box office (est.) Format Rentals Gross receipts Admissions Ref. 1950: The Munekata Sisters: ¥83,780,000: Unknown Unknown [72] Live-action 1951: The Tale of Genji: ¥141,050,000: Unknown Unknown 1952: The Flavor of Green Tea over Rice: ¥ ...
Clover was first announced on 3 March 2014, and the first image from the film was released in the Chūnichi Sport newspaper. [3] The theme song for the film, titled "CloveR", was provided by Kanjani Eight. JUJU also provided songs for the film. [4] The first trailer was released on 29 August 2014, and the film was released in Japan on November ...
He selected the film as one of the 10 best of 2016, [11] and later as the best Japanese film of the 21st century. [12] Vadim Rizov also held the latter opinion, saying, "The logline is that it’s a drama about five Japanese women charting their friendship, using duration to build character depth, and that’s absolutely true, but there’s so ...