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Natalie Wood as Gypsy Rose Lee Rosalind Russell as "Mama Rose" Hovick. Gypsy is a 1962 American musical film produced and directed by Mervyn LeRoy.The screenplay by Leonard Spigelgass is based on the book of the 1959 stage musical Gypsy: A Musical Fable by Arthur Laurents, which was adapted from the 1957 autobiography Gypsy: A Memoir by Gypsy Rose Lee.
Gypsy: A Musical Fable is a musical with music by Jule Styne, lyrics by Stephen Sondheim, and a book by Arthur Laurents. It is loosely based on the 1957 memoirs of striptease artist Gypsy Rose Lee , and focuses on her mother, Rose , whose name has become synonymous with "the ultimate show business mother ."
"You Gotta Get a Gimmick", also known as "You Gotta Have a Gimmick", is a song from the 1959 musical Gypsy, with music by Jule Styne and lyrics by Stephen Sondheim. The 1959 rendition of the song was sung by Chotzi Foley, Faith Dane , Maria Karnilova and Milton Rosenstock.
Everything's Coming Up Roses" is a song with music by Jule Styne and lyrics by Stephen Sondheim, written initially for the 1959 Broadway musical Gypsy. Introduced in the show's inaugural production by Ethel Merman, "Everything's Coming Up Roses" became one of Merman's signature songs.
The Miracle is a 1959 American historical fiction film directed by Irving Rapper and starring Carroll Baker and Roger Moore.It is a remake of the 1912 hand-colored, black-and-white film The Miracle, which was in turn a production of the 1911 pantomime play, The Miracle, written by Karl Vollmöller and directed by Max Reinhardt.
Sandra Church (born January 13, 1937) is an American actress and singer. She is best known for her performance as the original Gypsy Rose Lee in Gypsy (1959), [1] for which she was nominated for a Tony Award for Best Featured Actress in a Musical.
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"Rose's Turn" is a song from the musical Gypsy. It has been performed by such actresses as Ethel Merman (who originated the role of Rose on Broadway), Bette Midler, Angela Lansbury, Tyne Daly, Patti LuPone, Bernadette Peters, and Imelda Staunton. The song is often regarded as the pinnacle of the eleven o'clock number.