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Saarinen and Louchheim had one son together, whom they named Eames after Saarinen's collaborator Charles Eames. [23] [24] In addition to their respective contributions to architecture, design, and criticism, Eero and Aline Saarinen are remembered for their affectionate and detailed personal papers, held at the Archives of American Art.
Eero Saarinen had no part in this second draft of the Eames House; it was a full collaboration between Charles and Ray. The materials were finally delivered, and the house was erected from February through December 1949.
Eero Saarinen had no part in this second draft of the Eames House; it was a full collaboration between Charles and Ray. The materials were finally delivered and the house was erected from February through December 1949.
With Charles Eames. Saarinen also provided an original plan for House #8, but Eames completely redesigned it. Listed on the National Register of Historic Places in 2013: Models 71 and 73: n/a: n/a: 1945: 1950: Chair design for Knoll Associates: Birmingham High School: Birmingham: Michigan: 1945: 1952: With Eliel Saarinen and J. Robert F. Swanson
The Stahl House, Case Study House #22. The Case Study Houses were experiments in American residential architecture sponsored by Arts & Architecture magazine, which commissioned major architects of the day, including Richard Neutra, Raphael Soriano, Craig Ellwood, Charles and Ray Eames, Pierre Koenig, Eero Saarinen, A. Quincy Jones, Edward Killingsworth, Rodney Walker, and Ralph Rapson to ...
Before American involvement in the war, Charles Eames and his friend, architect Eero Saarinen, entered a furniture group into the Museum of Modern Art's "Organic Design in Home Furnishings Competition" in 1940, a contest exploring the natural evolution of furniture in response to the rapidly changing world. Eames & Saarinen won the competition.
It was designed by industrial designer Charles Eames, and architect Eero Saarinen for John Entenza as part of the Case Study House Program. The house was designed between 1945 and 1949 and construction was completed in 1950. [2] Named accordingly, Entenza wanted to use the Case Study House #9 for himself as his private residence. [3]
Saarinen taught there and became president of the Cranbrook Academy of Art in 1932. Among his student-collaborators were Ray Eames (then Ray Kaiser) and Charles Eames; Saarinen influenced their subsequent furniture design. [1]
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