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The Harvard Dictionary of Music is a standard music reference book published by the Belknap Press of Harvard University Press. The first edition, titled Harvard Dictionary of Music, was published in 1944, and was edited by Willi Apel. The second edition, also edited by Apel, was published in 1969.
Willi Apel (10 October 1893 – 14 March 1988) was a German-American musicologist and noted author of a number of books devoted to music. Among his most important publications are the 1944 edition of The Harvard Dictionary of Music and French Secular Music of the Late Fourteenth Century.
Thomas Forrest Kelly was born in Greensboro, North Carolina.He attended Groton School, and the University of North Carolina at Chapel Hill (A. B. 1964). [1] Two years in France on a Fulbright grant allowed him to study organ with Jean Langlais privately and at the Schola Cantorum de Paris (diplôme de virtuosité 1966), and the Royal Academy of Music (LRAM 1964). [2]
Carrying (i.e. 1. generally, sliding in pitch from one note to another, usually pausing just above or below the final pitch, then sliding quickly to that pitch. If no pause is executed, then it is a basic glissando; or 2. in piano music, an articulation between legato and staccato, like portato) portato or louré
Brown was editor of Renaissance Music in Facsimile, published 1977–1982, and was the general editor of several other monument series of musical editions. He contributed prolifically to the New Grove Dictionary of Music and Musicians. He served as president of the American Musicological Society, 1978–80.
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Harvard Dictionary of Music. Cambridge: Harvard University Press. ISBN 978-0-674-37501-7. Lang, Paul Henry. 1941. Music in Western Civilization. New York: W. W. Norton, pp. 585ff. Reprinted 1997, ISBN 978-0-393-04074-6. Newman, William S. 1963. The Sonata in the Classic Era. A History of the Sonata Idea 2.
To make music respected and cherished in the University as one of the "humanities" of a liberal education; to have it made a regular branch of the curriculum; perhaps even to accumulate funds for the endowment of a musical professorship, leading some day to a full faculty of music. To collect a library of music and musical literature.