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Digital photo of Kearny Generating Station, converted to black and white in Lightroom, with color channels adjusted to mimic the effect of a red filter. 1968 group portrait of a Swedish musical's cast. Black-and-white photography is considered by some to be more subtle and interpretive, and less realistic than color photography.
Sally Mann (born Sally Turner Munger; May 1, 1951) [1] is an American photographer known for making large format black and white photographs of people and places in her immediate surroundings: her children, husband, and rural landscapes, as well as self-portraits.
Chiarenza's photographs have been shown in more than 80 solo exhibitions and more than 250 group exhibitions, starting in 1957, [2] and are in the collections of the Museum of Modern Art, the Art Institute of Chicago, the George Eastman Museum, the Philadelphia Museum of Art, and the Los Angeles County Museum of Art, [3] as well as many other institutions.
Adams was known mostly for his boldly printed, large-format black-and-white images, but he also worked extensively with color. [172] However, he preferred black-and-white photography, which he believed could be manipulated to produce a wide range of bold, expressive tones, and he felt constricted by the rigidity of the color process. [173]
Robert Michael Mapplethorpe (/ ˈ m eɪ p əl ˌ θ ɔːr p / MAY-pəl-thorp; November 4, 1946 – March 9, 1989) was an American photographer, best known for his black-and-white photographs. His work featured an array of subjects, including celebrity portraits, male and female nudes , self-portraits, and still-life images.
Chappell was a constant presence in American black and white imagery among other noted photographers Minor White, Alfred Stieglitz, and Edward Weston, with whom he studied. Chappell was curator of prints and exhibitions at the George Eastman House in Rochester, New York , from 1957 to 1961 and was affiliated with Aperture Magazine founded by ...
Ansel Adams: Half Dome, Apple Orchard, Yosemite trees with snow on branches, April 1933 Exhibition poster. Group f /64 or f.64 was a group founded by seven American 20th-century San Francisco Bay Area photographers who shared a common photographic style characterized by sharply focused and carefully framed images seen through a particularly Western (U.S.) viewpoint.
Ogle Winston Link [1] (December 16, 1914 – January 30, 2001), known commonly as O. Winston Link, was an American photographer, best known for his black-and-white photography and sound recordings of the last days of steam locomotive railroading on the Norfolk and Western in the United States in the late 1950s.