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Helmut Newton (born Helmut Neustädter; 31 October 1920 – 23 January 2004) was a German-Australian photographer.The New York Times described him as a "prolific, widely imitated fashion photographer whose provocative, erotically charged black-and-white photos were a mainstay of Vogue and other publications."
Dorothea Lange (born Dorothea Margaretta Nutzhorn; May 26, 1895 – October 11, 1965) was an American documentary photographer and photojournalist, best known for her Depression-era work for the Farm Security Administration (FSA).
There he worked with other photographers like Dorothea Lange and Ben Shahn to document the conditions of the American rural workers. [2] In 1935, he traveled throughout New England and America's South, documenting the end of a rural-based economy, and gained a measure of renown for his images of bedraggled Arkansas farmers and their families.
He sent a formal 60-day notice of resignation letter to Life in November 1954. [24] After leaving Life magazine, Smith joined the Magnum Photos agency in 1955. There he was commissioned by Stefan Lorant to produce a photographic profile of the city of Pittsburgh. The project was supposed to take him a month and to produce 100 images.
Yousuf Karsh CC RCA FRPS (December 23, 1908 – July 13, 2002) was an Armenian–Canadian photographer known for his portraits of notable individuals. He has been described as one of the greatest portrait photographers of the 20th century. [1] [2] An Armenian genocide survivor, Karsh migrated to Canada as a refugee.
Ara Güler (Armenian: Արա Կիւլէր; 16 August 1928 – 17 October 2018) was a Turkish photojournalist of Armenian descent, nicknamed "the Eye of Istanbul" or "the Photographer of Istanbul". [ 1 ] [ 2 ] [ 3 ] He was "one of Turkey's few internationally known photographers".
Image credits: Detroit Photograph Company "There was a two-color process invented around 1913 by Kodak that used two glass plates in contact with each other, one being red-orange and the other ...
Through her powerful photography and personal sense of style, Dater was able to surpass these conservative values and was able to effectively convey her views to her audience. One of her famous photograph sequences taken in the 1980s, known as the Self-Portraiture sequence, exploited themes such as identity, feminism, and the human connection ...